Getting the exposure right when shooting at night is one of the most challenging aspects of film photography. You only have a limited number of frames per roll. You can’t preview your shots. So, the chances of getting unusable photos are pretty high. So, if you’re new to film photography
Been shooting 35mm film for quite some time now? You must be wondering if it’s about time for you to step up to medium format film. It’s definitely something that all film photographers in this day and age want to try and experience. But is this progression really for you? Hopefully, Canadian
When we speak of rare and legendary film stocks, Kodak Aerochrome sits high up on the list. Any film photographer, at some point in their creative journey, will come across this emulsion and try their hardest to get their hands on a roll or two. If this is the first
Whether you’re a film photographer or a fan of the film aesthetic I’m sure you’ve heard about Kodak Portra 400. It’s one of the most popular emulsions still available today, so much so that I’m sure there are lots of filters and presets inspired by it. It’s an especially beloved
So, you’ve already mastered 35mm film photography and feel that you’re now ready to take things to the next level. For most film photographers, that means taking on medium format film. However, as with many things, the first step can be intimidating, and you have to go through the process
Few things can make film photographers feel like Christmas than the release of a new film camera. So, when news of the Pentax 17 — the first Pentax film camera in 17 years — finally came out, it’s no surprise to find the global film photography community abuzz about it.
Most film photographers who start shooting medium format film often do using 6×6 format. Most of us are no strangers to square framing, thanks to Instagram. Still, if you’re used to shooting mostly in 35mm format, composing for 6×6 can take some getting used to. It’s not as simple as
The Fuji GX680 is most likely one of the biggest (if not the biggest) medium format camera you’ve never shot with — or even heard of. If that piqued your curiosity, Kyle McDougall shares what the experience is like in the video above, along with some of his sample snaps!
It’s a great time to be a film photographer today because you get the best of both worlds. You can enjoy the slow process and nostalgic vibe of film and the convenience of digital tools to complement it. Among these modern tools are various apps that may help film photographers
Given the rise of film prices every year, film photographers across the globe are constantly looking for the next best budget-friendly emulsion to stock up. Kodak Ultramax 400 used to be one of those, but today, even that has become harder to come by. So, it’s not surprising if there
With the film photography community still on a high from the release of the Harman Phoenix 200, there’s no shortage of first looks at the new color negative film. Some can’t help but get experimental to see what would happen if they pushed or cross-processed the new film. If you’re
In case you missed it, there’s a new film stock that’s been the talk of the town over the weekend. HARMAN Phoenix 200 prides itself as the world’s newest color negative film made from scratch, and the first experimental emulsion made at the HARMAN Photo factory. Of course, such a
