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There’s an interesting buzz coming from the Savage booth at this year’s WPPI, surrounding their brand-new Stainless Steel C-Stand with Grip Arm Kit. While many photographers know Savage for its paper backgrounds, the company is becoming increasingly known for its
Studio flags are similar to a 5-in-one round reflector with the except they are easier to mount to a c-stand. Here’s how to use the Flag’s built-in pin to attach to the knuckle of an extension arm which is attached to a c-stand.
Adjusting a heavy light attached to a c-stand doesn’t have to acquire a lot of strength. Here’s a simple tip to help you move the light up or down without much effort. Stand on the Longest Leg This is a
An extension arm is a versatile piece of studio gear. You can use it to hold a studio strobe, clip a flag or hang a background. Connecting the Pieces The extension arm comes with a knuckle or grip head attached
In my previous post, Light Stand Basics Part 1, I gave you some safety tips and jargon to get you started working with light stands. A light stand is one of the only things you can buy that will actually
After a camera and a tripod, a light stand is the one piece of equipment I use more than anything else. For a long time (too long) I used assistants (like my wife) to hold lights and reflectors for portraits
Lately, I have been researching studio configurations. Jeremy Cowart’s Triptik Studio Walkthrough got the juices flowing; especially the rolling backdrop that doubles as storage for bounces, flags and other gear. My space is an open floorplan and I already have
An extension arm is a versatile piece of studio gear. You can use it to hold a studio strobe, clip a flag or hang a background. Connecting the Pieces The extension arm comes with a knuckle or grip head attached
In my previous post, Light Stand Basics Part 1, I gave you some safety tips and jargon to get you started working with light stands. A light stand is one of the only things you can buy that will actually
After a camera and a tripod, a light stand is the one piece of equipment I use more than anything else. For a long time (too long) I used assistants (like my wife) to hold lights and reflectors for portraits
Lately, I have been researching studio configurations. Jeremy Cowart’s Triptik Studio Walkthrough got the juices flowing; especially the rolling backdrop that doubles as storage for bounces, flags and other gear. My space is an open floorplan and I already have
