This week’s podcast interviews photographer Dave Black about his sports and light painting work. Then, get an overview of what challenges photographers will face over the coming years with photography guru Jim Heid.
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We welcome back Dave Black to the show for an interview with Levi Sim. Dave is a freelance photographer for over 30 years. His work has primarily centered on the sports industry for such publications as Sports Illustrated, Time, Newsweek and the award-winning TV show Sports Century on ESPN. He’s covered events like the Masters, Kentucky Derby, National Football League, NASCAR and extensive work regarding the United States Olympic Committee, Olympic athletes and coverage of twelve Olympic Games.
Levi and Dave discuss:
- What kind of photography does Dave make?
- Light painting essentials
- Favorite Light painting stories
- The importance of personal projects
- The business side of photography
- Favorite sports to photograph
- Why he loves light
- Interacting with Sports stars
- How a teacher changed his career path
- Why he loves to teach
Remember you can take classes with Dave Black at Photoshop World in Las Vegas this September.
Jim Heid has been taking photos, making movies, and playing music since he was a kid. He began writing about personal computers in 1980, when he computerized his home-built ham radio station with a Radio Shack TRS-80 Model I. He has also written for Macworld, PC World, Internet World, and Newsweek magazines, and a nationally syndicated technology column for the Los Angeles Times.
Jim Heid is one of the most admired writers and instructors and now oversees the photography segment for lynda.com. He helps guide which courses get developed and make sure that he keeps track of what’s needed to help photographers get the most from their art and gear.
Rich and Jim discuss:
Who is Jim Heid?
What photographers are questioning in regards to business models
Staying on top of things in the changing world of photography
What he does with Lynda.com
Learning core skills
Camera bodies and gear.
Why Jim pretends he shoots on film?
Why limitations can be catalysts to creativity?
Where to find Jim