Road trips are exciting. The long drives, strange music, late night taco stands, the fascinating conversations. But if you do a little bit of homework, you can take a good road trip and make it epic. You don’t need to
When you are planning for a photo or video project, do you wish you had an app that could help you with anything from location scouting to sun placement? There are a multitude of iOS and Android apps that do
Revisiting the same location is a great way to improve your photographic portfolio. It’s also an excellent way to improve your skills as a photographer. I frequently visit the same areas time and again. Depending upon the season, time of
(Editor’s Note: We welcome Jemma Pollari to Photofocus. Jemma is a photographer on the Sunshine Coast in Australia, where she photographs in between mothering her two little boys, writing, teaching and designing. She delivers free weekly photo prompts on her blog
I was having lunch with one of my favorite models the other day. I asked her what it was like working with other photographers. She explained how they are very casual in how they work, not paying much attention to
Shooting with speedlights on-location is a great way to be mobile, creative and light! We all know how heavy camera equipment can be. Speedlights on-location allows you to have the perfect light on your subject with a dramatic sky! I
This is 1 of 5 tips Anthony Neste shared on photographing a model in a Hotel Room, check out the other 4 on Photofocus.
Collapsible backdrops are great for location shooting and small studios — even large studios use them for convenient and inexpensive options for backdrops. The video below shows the 5×7′ chroma key backdrop. You can use chroma key backdrops to replace the
I shot this photograph at WPPI in Las Vegas a couple of weeks ago. I was at the ClickProps Studio Backdrops booth. This company makes over 500 backdrops in various designs and sizes, and we got to test out a
(Editor’s Note: This is a guest post from our partner mpb.com a great place to use your old gear to acquire newer gear.) For many, the thought of revisiting an old location may seem like a step back rather than
If you would like to experience a beautiful vision of a vintage holiday, look no further then this image, “GMC Christmas” by  Dawna Moore.  Part holiday cheer, part nostalgia, it’s a warmly lit scene featuring Christmas decorations along with a nice slice of Americana.  Beyond these elements, the composition and lighting are excellent, from the technical choices with aperture to create the starbursts on the Christmas lights, to the balance of complimentary colors with the reds and greens.  The portrait orientation of the photo helps simplify a busy scene, placing the focus on the wreath and letting your eye travel throughout the frame to take in all the detail.
Category: Street Photography Photograph: “Oslo No. 1” by Mark Meyer zur Heide What is particularly compelling about this image, “Oslo No. 1” by Mark Meyer zur Heide, is it let’s you imagine nearly endless stories for the scene, what this
Revisiting the same location is a great way to improve your photographic portfolio. It’s also an excellent way to improve your skills as a photographer. I frequently visit the same areas time and again. Depending upon the season, time of
(Editor’s Note: We welcome Jemma Pollari to Photofocus. Jemma is a photographer on the Sunshine Coast in Australia, where she photographs in between mothering her two little boys, writing, teaching and designing. She delivers free weekly photo prompts on her blog
I was having lunch with one of my favorite models the other day. I asked her what it was like working with other photographers. She explained how they are very casual in how they work, not paying much attention to
Shooting with speedlights on-location is a great way to be mobile, creative and light! We all know how heavy camera equipment can be. Speedlights on-location allows you to have the perfect light on your subject with a dramatic sky! I
This is 1 of 5 tips Anthony Neste shared on photographing a model in a Hotel Room, check out the other 4 on Photofocus.
Collapsible backdrops are great for location shooting and small studios — even large studios use them for convenient and inexpensive options for backdrops. The video below shows the 5×7′ chroma key backdrop. You can use chroma key backdrops to replace the
I shot this photograph at WPPI in Las Vegas a couple of weeks ago. I was at the ClickProps Studio Backdrops booth. This company makes over 500 backdrops in various designs and sizes, and we got to test out a
(Editor’s Note: This is a guest post from our partner mpb.com a great place to use your old gear to acquire newer gear.) For many, the thought of revisiting an old location may seem like a step back rather than
If you would like to experience a beautiful vision of a vintage holiday, look no further then this image, “GMC Christmas” by  Dawna Moore.  Part holiday cheer, part nostalgia, it’s a warmly lit scene featuring Christmas decorations along with a nice slice of Americana.  Beyond these elements, the composition and lighting are excellent, from the technical choices with aperture to create the starbursts on the Christmas lights, to the balance of complimentary colors with the reds and greens.  The portrait orientation of the photo helps simplify a busy scene, placing the focus on the wreath and letting your eye travel throughout the frame to take in all the detail.
Category: Street Photography Photograph: “Oslo No. 1” by Mark Meyer zur Heide What is particularly compelling about this image, “Oslo No. 1” by Mark Meyer zur Heide, is it let’s you imagine nearly endless stories for the scene, what this
Category: Street Photography Photograph: “I’m sure there are many stories behind this old bike!” by  Jim Sollows It is often easier to say that you like an image versus trying to explain why you like it. For me it usually
The image “1” by Denis Malciu displays a perfect choice of composing in black and white, simplifying what could have otherwise been a very busy photo. Â As the crowd stands in rapt attention to the dancer’s performance, they frame the dancers instead of competing with them. Imagine if instead this photo was presented in color. Â The dancers could have easily gotten lost against that sea of people and the variety of textures and colors they are wearing. Â Instead the photographer works purely with light and contrast. Â Though small in the frame, the dancers take center stage in the image, drawing your attention directly to them, captivating you as they did the crowd. Â
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