Thinking on your feet
Before the seminar began, I scoped out the room for potential subjects. I was instantly drawn to our new friend Rob Leigh. He reminded me of Hemingway, the famous writer. I paused for a moment and thought, how would I light him to give a dramatic effect? I realized what I needed to do. I just needed to modify my lesson plans in front of a live audience. Forget for the past few weeks I rehearsed how to add light to a portrait and do the opposite; remove light to get a dramatic effect. No pressure.
A simple set up
- A speedlight with a Westscott Rapid Box modifier
- A large Black reflector
- A killer hat
- Telephoto lens
Westscott’s Rapid Box attached to a speedlight gave me a tight, controlled light source to work with. By feathering the light away from the subject, we kept the light from exposing the background. Speaking of the background, it was nothing special, just a blank wall. To make the background darker, we moved the subject about 15 feet away from a wall.
Using a light meter, I set the shutter speed to 1/125 of a second with an ISO of 200. Holding the light meter in front of the subjects left eye, closer to the light, I triggered the flash to get a meter reading. The meter calculated the scene and came back with an aperture of f/5.6. Next, I positioned the meter near the subject’s right eye which was farther away from the light. I triggered the flash again. This time the light meter calculated the scene with an aperture of f/4, a one stop difference. By setting the camera’s aperture to f/5.6, the meter reading for the left eye, the left side of the subject face will be properly exposed. The right side of the subjects face will be darker.
After reviewing the image, I wanted to see how the image would look if I balanced the light. Using a silver reflector on the right side of the subject, parallel with the light, I bounced light onto the subject. The photo looked good but it wasn’t the dramatic look I was going for.
What’s Negative Fill?
Silver and white adds light to a scene whereas Black absorbs light, giving an illusion of taking light away. This is known as negative fill. Using a black reflector on the subjects right side gave a dramatic effect I was looking for.
Final image
To achieve the dark timeless look of black and white, I used Topazs Black & White plugin. I started with one of the default presets and tweaked the settings until I felt it was the dramatic effect I was looking for. I saved the settings as a new preset for future use.
Summary
- To make a wall appear darker move the subject about 15 feet away from the background.
- Feathering the light keeps light from spilling onto the background.
- A Rapid Box modifier controls where the light falls.
- A black reflector is negative fill, meaning it takes away light.
- The hat stylized the scene plus added dramatic shadows on the subject’s face.
- Use a long telephoto lens to compress the shot.
For more “How I Got the Shot” articles, click here
Vanelli
Currently he is teaching workshops, writing for Photofocus and creating tutorials for various plug-in companies and for the Vanelli and Friends series.
You can find out more about Vanelli at www.VanelliandFriends.com
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That’s awesome… and I love that you showed the light progression.
Great information. Thank you.
Great setup up. Thank you for the information.
This “watch as I shoot it” method is so valuable to see, even for accomplished photographers. It reminds us that shots with great lighting are “constructed” and don’t “just happen”
Why the colorshift between images. Black fill should not have any effect with WB
Good eye… One of the pitfalls with auto white balance. Since the other images were just for teaching, I did a general white balance instead of making them all the same.