When you think of a super telephoto lens, you think of big, heavy lenses that are cumbersome to carry around. And while there are some lighter weight versions on the market, Tamron seeks to have one of the most compact yet, with the 50-400mm f/4.5-6.3. Offering a unique focal length
If you’ve ever wondered why Sony’s E-mount took off to become one of the most beloved mounts, you don’t have to look any further than this roundup of affordable third-party E-mount primes. When Sony launched their first mirrorless E-mount camera, they knew they had much to do regarding lenses. Sony
Third-party lens manufacturers play a massive role in the photography market space, and it’s nice to see Nikon welcoming them to the Z mount with open hearts; Canon, on the other hand … what are you doing? During the heyday of DSLRs, third-party lens manufacturers offered many photographers the opportunity
Late Wednesday night, Tamron announced the development of the 20-40mm f/2.8 Di III VXD (Model A062), a fast-aperture standard zoom lens for Sony E-mount full-frame cameras. Designed for full-frame Sony mirrorless cameras, the lens was created in aggressive pursuit of portability that is ideal for everyday use. Starting from 20mm
Tamron has become a rock star in the world of lenses for Sony’s E-mount cameras. We have reviewed and loved a lot of Tamron’s Sony E-mount lenses. We have raved over their build quality, their stellar optics, how well they work with Sony’s advanced autofocus features and their affordable price
I’ve been a big fan of Sigma’s Contemporary lens lineup for a while. So much so that I went out and bought the 35mm f/2 Contemporary after I reviewed it. So when I had the chance to review the 90mm f/2.8 Contemporary, I jumped at the chance. But after spending
If you’re in the market for some new Sony E mount prime lenses and you want to keep your spend low, but still want high-quality glass, you absolutely must see this roundup. It’s quite amazing to think about all of the quality E mount prime lenses you can get for
The Sigma I series collection of lenses is continuing to grow. The latest prime lens to join the family is the Sigma 24mm f/2 DG DN Contemporary. Will it fare as well as the others in the lineup? Find out in our full review. I’ll admit, I was a little
Before I purchased my Tamron 70-180mm f/2.8, I used to rent the original Sony 70-200mm f/2.8 lens. It was plagued with issues like focus hunting, ineffective image stabilization and more. I photographed an event with it, and came away with more misses than hits. I knew right then and there,
When the Tamron 35-150mm f/2-2.8 was announced for Sony E mount, I was needless to say, excited. I had longed for a lens that would give me the view of what a typical f/4-5.6 zoom lens would, but in a faster variant. My dreams had finally come true! As a
I have been using the original Tamron 28-75mm Sony E-mount lens as my studio workhorse few several years now. I love it. It’s small, lightweight and compact, but packs a punch. It’s quiet with quick autofocus and outstanding image quality, not to mention really good value for money compared to
Aah, the 24-70mm lens. Or in Tamron’s case, the 28-75mm lens. While this focal length isn’t exactly cutting edge, it seems to be a necessary zoom lens that you’ll find in a lot of professional photographers’ bags. So when the Tamron 28-75mm f/2.8 Di III VXD G2 came out for
