Guest Post by Lauri Novak.
We are all photographers. Phones. Tablets. Cameras. Every one of us can at almost any given moment take a photo. The question is how can you make your images different than anyone else’s?
“The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.”
— Marcel Proust
Here are five exercises you can do to help you to start being more aware of the world around you, to help you start seeing differently. I teach this as a workshop and there is no editing allowed during these lessons, not even dust spot removal or straightening horizons. Think about that and how it might impact your approach to each exercise.
1. Composition – Brush up or learn the basics.
There are many compositional rules in photography and art and loads of information to be found online. Pick a rule, look it up and practice it for a week. Going back to basics is usually a good way to get out of a creative rut or to just get yourself out shooting again. Here are a few composition rules to get you started.
Rule of Thirds – the most famous photography rule of all! The rule of thirds involves dividing up your image using 2 horizontal lines and 2 vertical lines to dissect the image into thirds. Your subject should fall on the vertical or horizontal lines or intersections.
Rule of Space – The rule of space is about giving your subject room to breathe, room to move within the frame and a way to indicate the direction of movement. If people or animals are your subject, you want to give them room to look into or look out of the frame. Let the viewer wonder what your subject sees—make them think about it.
Leading Lines – Just like it sounds, right? Leading lines are a relatively easy way to get your viewer into your image, they can create depth, lead the viewer to your subject, tell a story or make a connection between objects. They can be literal lines such as train tracks (please don’t shoot on train tracks), roads, bridges, railings, shadows and the list goes on. Other objects can also be considered as lines that help bring the viewer in and through your shot. Streams, mountains, trees, grasses, a line of rocks – I think you get the ‘picture’.
Framing – This is one of those rules that can make shooting feel like a game (in my mind anyway…welcome to my mind!). Find your subject and then frame it. Frames can be found everywhere if you pay attention and look. Tree branches, shapes of buildings, even setting up a person to be your frame (you know, just think of all those hearts made of hand photos on the internet.) Using natural frames or frames that are already in the scene you’re looking at can help isolate your subject and lead your viewer right to where you want them to go.
2. Be Aware of Your Surroundings
Start paying attention to what you see, or better yet, what you don’t see every single day. How many of us take the same route to work every day? How much do you really see what you drive by every single day? How about in your homes, cars, at your desk? We do the same things over and over each day and are oblivious to what’s around us.
There are so many details we all just gloss over in our lives. Start paying more attention to the little things (or sometimes there are big things we don’t even see). Every day I see a seahorse in my shower tiles. I see letters in the patterns of the curtains. I see faces in a lot of places (I do not, however, see dead people 😉 ).
Go out looking for faces in everyday places. What do you walk by every single day that you never really ‘saw’ before? Just doing this exercise for a few days will get you to be more aware and you will start looking at the world around you in a new way. You’ll also start seeing faces everywhere. As photographers, we have creative minds but sometimes we get stuck on making that masterpiece sunset image, cityscape or some well-known landmark and we miss other opportunities that could be staring us right in the face.
3. Slow Down!
It’s all about slowing down, taking the time to be in the moment, taking in your surroundings and surveying the area for all of the opportunities and options for a great shot. Go to a place you always go to shoot, a photowalk you always take or a place you’ve been a million times. It can be in your house, a local park or a major tourist spot. Spend time there without looking through the viewfinder, wander around, take it in from different spots, and also just sit and watch and SEE.
What do you see? Pretend you’ve never been to this spot before, what would you see if it were the first time you were there? What would a child see in this same spot? What would a tourist see? Choose to see through someone else’s eyes – how or what would they see?
4. Perspective
We already use our own perspectives of life-in-general when out shooting. What we present to the public, whether intentional or not, includes our perspective or How We See the world around us. We can’t help but take all of our life experiences and put them into the who, what, where, when and why we shoot. This shows in our individual styles, our individual preferences and is obviously one of the things that makes us all different.
Pick one subject and shoot it from all perspectives. High. Low. Close. Far. From Above. From Below. GET CREATIVE. Really think about this and how many different ways there are to view something. Push yourself beyond the norm.
Stop! Stand in one spot. Do not move your feet. Shoot 10 images of what’s around you. Again, think creatively. Where can I look? What do I see? This forces you to pay attention and to SEE what your surroundings offer up, it forces you to find new perspectives.
I have done both of these exercises and while the images you take may not be your best shots ever, it does make you stop and think about what you’re doing. It shows you other options when you think there aren’t any.
5. Thinking While Shooting
Slow down even more. It’s difficult and it makes us uncomfortable but it’s really essential to have gone through all these steps and to take them that one last bit further. If you ever shot film you likely did this anyway, you had to or you were throwing money out the window. Every frame had to be either planned or thought out before you pressed the shutter otherwise you wasted a frame. As we move forward in our photography hobbies and/or careers we start to consider what it is we are doing this for. Do we want to make a few extra bucks? Do we want to make more than a few extra bucks? Are we happy with just sharing and posting images online amongst friends and family? Are we creating memories and printing images to put in albums to share with future generations? Do we do this as therapy, something for ourselves? Is it for the social aspect that much of photography has become?
While you’re out shooting ask yourself these questions:
- How can I make this scene/subject look different?
- What can I do differently that will make the viewer react?
- What will cause the viewer to engage and question this image?
- How can I shoot this scene/subject to make the view say “Wow! I would never have thought of that!”
- What will I do with this image?
- Who is my audience?
- Why am I taking this image?
- Is this for documentation only?
- What mood am I trying to create?
- What STORY do I want to tell?
Perception and perspective do not always have to be in-camera. If you’ve done these exercises without editing up until now, think about some of the shots you took and consider what happens when you rotate or flip them. Aha! Another way to change it up and make your viewers think. With all the editing apps and tools available we can enhance how we saw the scene to reflect what is in our minds.
“It’s just seeing—at least the photography I care about. You either see or you don’t see. The rest is academic. Anyone can learn how to develop. It’s how you organize what you see into a picture.” ~Elliott Erwitt
Lauri Novak is a fine art photographer, traveler, wonderer, and wanderer: inspiring and challenging you to see the world in new and unique ways. You can find her on Instagram and at Lauri Novak Photography.
Lauri Novak
You can find her on social media at those listed under her profile pic and also at LauriNovak.com
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Awesome article! Lots of good tips/reminders.
Thanks Vance – glad you found it helpful!
Great work, Lauri ! Very informative and inspiring.
Happy you found it inspirational Photorain!
Great information. I creatively see so many things. I hate my cellphone camera quality. Someone told me that camera s have limited shutter count so I’m afraid to photograph everything I love. Should I worry?
Hi Renee – I am not overly fond of my current mobile phone camera quality either but sometimes it’s all I have so make it work.
Cameras are like anything – they have a limited lifespan but you shouldn’t have to worry about shutter count in the normal course of shooting. Unless you’re doing a lot of sports mode/multiple images at a time and I mean A LOT. Even then I have a friend who does shoot sports/dance and she has not had any issues.
Great advice! It really comes down to how much you can incorporate into each shutter click. Being mindful of the rule of thirds and leading lines can give your image some depth. Being more aware and thinking through the photo shoot has the potential to put your image over the edge. Allow creativity to flow throughout the entire process and don’t forget to slow down to enjoy what your doing. If you can’t slow down and have fun then this isn’t the correct way to spend time. I love the part about perspective. I write a lot about using perspectives to showcase the same subject in different ways. Consider every possible way to look at something in order to understand in what way you showcase that subject. Great post!
Great comments Matt! Thank you for taking the time to read and ‘get’ what I was saying here. It’s also important to just be where you are sometimes, put the camera down and take in your surroundings. Helps to get that ‘feel’ of the place into an image if you have a better feel of it yourself.
These exercises are not only a positive way to improve one’s photography, they are also great fun!! I will always be grateful to Lauri for getting me in better photographic shape by introducing me to these exercises!!
Thank you Carmen, they’re good to revisit every so often as well.
I enjoyed your post very much, Lauri. It is an excellent set of exercises and effective reminder (or introduction) of the essence of the art we strive to create. Thank you for taking the time to write it and sharing it here.
Thanks Tom – appreciate you taking the time to read and comment – glad it resonated with you.
Lauri this is just such a spectacular stop on your journey. I’m so very proud of you and value what you have taught me.
Thanks so much Cathy. We all have so much to learn and to learn from each other makes it more fun to me! Appreciate your support always!