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Fujifilm introduces FUJINON GF32-90mmT3.5 PZ OIS WR Lens

Fujifilm’s latest lens release is the first motorized power zoom lens for the GFX System. FUJIFILM North America Corporation, Electronic Imaging Division, recently announced the release of its FUJINON GF32-90mmT3.5 PZ OIS WR filmmaking lens (“GF32-90mmT3.5 PZ OIS WR”). The first FUJINON motorized power zoom lens for the GFX System,

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Tamron Lenses

Tamron releases the second generation 70-180mm f/2.8 zoom lens

Tamron has unveiled the development of the 70-180mm F/2.8 Di III VC VXD G2 (Model A065), an advanced telephoto zoom lens with a wide aperture designed for Sony E-mount full-frame mirrorless cameras. Anticipated to hit the market in the Fall of 2023, this lens represents the next stage of evolution

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Getting comfortable with street photography

Over the past year, I’ve been forced to get a bit outside my comfort zone when it comes to photography. So how did I face my fears and quickly adapt to street photography during the Covid-19 pandemic? Some background I’m used to capturing corporate and community events, taking photos of

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Zoom it: Creating an engaging environmental portrait

While a prime lens like an 85mm or 50mm might be our go-to when it comes to shooting portraits, modern zoom lenses can be equally great to use. I recently had to shoot a series of environmental portraits. And after a bit of thought, I decided to go with my

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Photography 101: Which lens should you buy first?

You just got a fancy new camera, with a shiny kit lens that, for the most part, has served you well in your beginning everyday adventures. Now you want to take your photography to the next level, whether it’s getting a farther reach and being able to capture that dreamlike

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Fast, sharp and reliable doesn’t have to mean expensive

When I bought my very first camera — a Nikon D5100 — my first lens purchase was a Tamron 28-75mm f/2.8. I used that lens daily, capturing daily life, events, food … whatever I could find. Fast-forward 10 years and I’m still using a Tamron 28-75mm f/2.8, but this time,

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