Tamron has just announced the launch of the 28-300mm F/4-7.1 Di III VC VXD (Model A074), a 10.7x all-in-one zoom lens for Sony E-mount full-frame mirrorless cameras. The TAMRON 28-300mm F4-7.1 VC is an all-in-one zoom lens for Sony E-mount full-frame mirrorless interchangeable lens cameras. This lens covers a broad
A class-leading lightweight 6x telephoto zoom lens 50-300mm f/4.5-6.3 Di III VC VXD (Model A069). Tamron recently announced the launch of the 50-300mm f/4.5-6.3 Di III VC VXD (Model A069), a unique 6x telephoto zoom lens, starting at 50mm on the wide end for added versatility. It will be available
As someone who loves to get away from the hustle and bustle of my usual work, taking Tamron’s 24mm f/2.8 lens out in the great outdoors offers superb image quality without the massively large footprint of other primes. Offering a nice background separation, accurate autofocus and a superior sharpness, the
Tamron’s workhorse 20mm f/2.8 lens for Sony E mount cameras offers something that most wide-angle primes don’t — a super light, compact footprint that’s easy to throw in a bag when you’re on-the-go. Whether you’re traveling cross country or just going to your local beach, this lens will capture those
Late Wednesday night, Tamron announced the development of the 20-40mm f/2.8 Di III VXD (Model A062), a fast-aperture standard zoom lens for Sony E-mount full-frame cameras. Designed for full-frame Sony mirrorless cameras, the lens was created in aggressive pursuit of portability that is ideal for everyday use. Starting from 20mm
Let’s get one thing straight. Tamron’s line of f/2.8 primes for Sony E mount are what I consider to be “workhorse lenses.” Meaning, they work great for virtually any use case. The 35mm f/2.8 is no exception. This tack sharp lens will perform for whatever you might throw at it.
While I enjoy being social, sometimes it’s nice to get out with your camera and, well, not have to talk to people. But in a bustling downtown, it isn’t always easy to do this, especially when you’ve got a large camera and lens setup that draws attention.e Recently I had
If there’s one photography genre that I’d consider a bit of an outlier, it’d be sports photography. There’s a lot to take into account while shooting sports, with everything from lighting and your shutter speed, to trying to anticipate every athlete’s move. Over the years I’ve photographed quite a few
Gearing up for some photo adventures this summer? Make sure you’re ready to shoot and save big on your favorite lens from the Tamron flash sale! With these deals, you can save up to $200 on select Sony Mirrorless and Canon and Nikon DSLRs. Among these are reliable zoom lenses for
All-in-one lenses get a bad rap. They’re often looked at as “cheap” lenses, with sub-par image quality. They’re for amateurs, right? Wrong. With the latest lens technologies, all-in-ones are becoming more and more professional-grade. Such is the case with Tamron’s 18-300mm f/3.5-6.3, available for Sony E mount and Fuji XF
For many photographers, the “lens trinity” is a necessary evil. We’re taught that when we’re first starting out as a photographer — whether we’re shooting events, weddings, portraits or other subjects — that having a wide-angle, standard and telephoto zoom lens is necessary for our bag. I’m guilty of this
Tamron has become a rock star in the world of lenses for Sony’s E-mount cameras. We have reviewed and loved a lot of Tamron’s Sony E-mount lenses. We have raved over their build quality, their stellar optics, how well they work with Sony’s advanced autofocus features and their affordable price
