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Even in this day and age I am hearing from some photographers that the micro four-thirds format is not good enough. I disagree wholeheartedly! My start with micro four-thirds For
I’m not one for a lot of nostalgia, but recently I’ve found myself reunited and smitten with the micro four-thirds system of Olympus and Panasonic, their respective cameras and more
Overnight, Olympus announced some updates to its plans for the remainder of 2020, giving an update on the availability of the highly-anticipated 150-400mm f/4.5 lens, as well as an updated
When I first received the new Olympus M.Zuiko Digital ED 12-45mm f/4 PRO lens for review, I was a bit perplexed. Who was this lens really for? But after using
When I switched to micro four-thirds a couple of years ago, first with Panasonic and now Olympus, I knew one of my first lenses would be an ultra-wide. I had
UPDATE: After more rumors, Olympus has come out with a more clarified statement. Click here to read the full statement. In fact … Olympus — which is celebrating its 100th
Early this morning, Olympus officially announced details of its upcoming OM-D E-M5 Mark III camera — the third iteration of their mid-range mirrorless micro four-thirds camera. The feature list is
Olympus has just announced the OM-D E-M5 Mark III, the follow-up to the mid-range Mark II camera that was released on February 2015. Highlights include a 20-megapixel Live MOS sensor,
When I was first offered the chance to review the Sigma 60 mm f/2.8 DN Art lens for Micro Four-Thirds cameras, I was intrigued. First, I had never actually used
While Olympus and Panasonic are the big players in the Micro Four-Thirds space, Sigma has recently released a few lenses that are on par with their full-frame counterparts. I had
Since my switch to micro four-thirds, I haven’t been able to pick up a Sigma lens. When I checked out Sigma’s new offerings in their global vision contemporary series —
Mirrorless cameras are wonderful tools, and I’m going to be writing regularly about their attributes. Quick intro to Micro Four Thirds, a.k.a. MFT, M43, Micro 4/3. The key characteristics are
When I heard that Photofocus was renting the Pinball Hall of Fame for a party, my mind started going crazy with ideas. The plan was to host a party during
The Olympus M.Zuiko ED 40-150mm f/2.8 Pro lens with its 1.4x teleconverter has helped me make a bunch of good pictures and allowed me to do a good job for
I don’t use neck straps, and I generally advise everyone against them. I think they’re a poor design and dangerous to your body–with as much shooting as I do, carrying
Environmental portraits show people in their place, their habitat. The environment sets the mood and the place of the story, and a single look at the photograph can tell you
I attended a workshop tour put on by David Ziser a few days before my first DSLR arrived, and he got me hooked on hybrid slideshows. I used to use
We’ve frequently talked about using polarizing filters to make more striking landscape photographs, but they are at least as important for making more vibrant portraits, and cutting your retouching time
I recently rented a Lumix 35-100mm f/2.8 G Vario lens from LensRentals.com so that I could show you the difference between a 70-200mm lens on a full-frame Nikon and a
Lumix GH4, Olympus 75mm f/1.8 lens, f1.8, 1/5000s, ISO 200, JPG straight from camera. I’m working on a post that will explain why I’m in the market to replace my
Editor’s Note: This is a guest post from Eduardo Angel, filmmaker and educator. The friendly waiter at the Turkish restaurant in Sohar, Oman, saw the camera on the table and
