Adobe MAX starts today. This year, the conference is virtual and free! Besides the keynotes and courses from renowned instructors, Adobe is releasing updates to their software. Let’s take a look at what’s new with Adobe Creative Cloud video software.
If you shoot video with drones or action cameras, you’ll sometimes find that your recordings have a slight fish eye effect. This distortion can be quickly and easily corrected by using the Lens Distortion Removal effect in Adobe Premiere Pro.
When Adobe MAX Online kicks off on October 20, 2020, there will be a plethora of courses to attend. Whether you’re a photographer, videographer, designer or marketer, Adobe MAX offers quite a bit. And this year, it’s all free. Adobe
Attention video newbies and video pros! Mark your calendars for the virtual Adobe Video World, held September 12-17, 2020. The program is packed with sessions for all skill levels, keynote speakers, faculty you know and love and, of course, prizes!
Looking to fully color correct your footage in Adobe Premiere Pro? The Lumetri effect can do just that. In this ThinkTAP Learn video, instructor Richard Harrington walks you through how to use the Lumetri effect to make basic corrections in
Whether you’re at home with your kids, have had photoshoots canceled or just wondering what’s next, we hope that our latest project will help you fill the creative void. This week on The Artists’ Notebook, we’re discussing color and design
In this ThinkTAPLearn video, instructor Rich Harrington shows us best practices to organize your media for a video project. He talks about using external drives, as well as some best approaches for organizing media using macOS Finder and Adobe Bridge.
EDITOR’S NOTE: This is a guest post from Mark Morrow who is a Virginia-based photographer and video producer specializing in a variety of commercial portraiture, architecture and fine art landscape projects. In this tutorial, we’ll take a look at how
Photography isn’t just the act of capturing the action. Rather it’s important that a photographer compose their shots. In photography, composition is a visual language. Changing composition can completely alter the mood and tone of an image. Photos can be
One of the biggest reasons why I don’t like pop-up flashes is that it gives uneven, harsh lighting directed at your subject. Even with an on-camera speedlight, the same effect can happen. And while you can play around with the
In this guide, we’ll be discussing brand identity tools and how they are used to align your brand and ensure you are not confusing potential customers. Let’s dive in. Brand identity tools When it comes to branding your photography business,
When building a studio setup for portrait work, lights and modifiers should never go missing. However, these tools tend to be too expensive especially when bought all at the same time. If you’re thinking of putting together a simple setup
Creating high key light is making sure there is enough light on your background so it is pure white, with no shadows. This can be done using strobes or LEDs or a mixture of both types of light. There are several
In this week’s episode, Photofocus publisher Rich Harrington sits down with educator and photographer Nicole S. Young. They tackle advice on composition, talk about essential gear, and strategies for traveling with non-photographers. Photofocus · Unlock Your Creativity: InFocus Interview Show
Toning is a powerful creative tool. It corrects overall brightness and contrast for a better-balanced image. It can be used to get the right tonal harmony for your photo or create a beautiful split-tone effect by changing the color of
In its heyday, the Polaroid was a staple of family travels, getaways near and far and countless road trips. So, it’s not surprising that today’s film photographers still bring Polaroid cameras — vintage or otherwise — to their scenic adventures.
Getting sharp, pinpoint stars for a starry sky or the Milky Way may be the hardest part of night photography. However, I’ll try and make it methodical and easy. I’ll discuss seven methods. 1. Focusing on a distant object during
Do you ever see a photographer’s final image and wonder how they got so lucky? How were they in the right place, at the right time, with just the right lighting and just the right moment to capture the perfect
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