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InFocus Interview Show: Practical advice for photography during COVID with Kristina Sherk and Mike Kubeisy
Beyond Technique: Roberto Valenzuela discusses how to make 2021 great for your photography business
Beyond Technique: Monica Royal discusses macro and fine art photography
Beyond Technique: JB Sallee shares how he is staying productive and planning for the future
Mind Your Own Business: Jerry and Melissa Ghionis discuss how they grow their business
Beyond Technique: Levi Sim discusses relationship building and being helpful
Beyond Technique: Wildlife Photographer Moose Peterson discusses maintaining passion and focus
Mind Your Own Business: Staying relevant and keeping a positive mindset with Kay Eskridge
Beyond Technique: Cindy Harter discusses optimism and making clients feel comfortable in the new normal
Mind Your Own Business: Newborn photographer Kelly Brown discusses building trust with clients
Mind Your Own Business: Eddie Tapp discusses the importance of keeping your skillset up-to-date
InFocus Interview Show: What I’ve learned from the pros with Abe Curland

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Avoiding the harsh, direct flash look

One of the biggest reasons why I don’t like pop-up flashes is that it gives uneven, harsh lighting directed at your subject. Even with an on-camera speedlight, the same effect can happen. And while you can play around with the

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High Key 01

Easy high key lighting with two lights

Creating high key light is making sure there is enough light on your background so it is pure white, with no shadows. This can be done using strobes or LEDs or a mixture of both types of light. There are several

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