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motion

How to add realistic motion (parallax) to a still image

Often you have to use still images in video. Sure, you can zoom or pan across them, but it would be even more engaging to create dynamic movement. You can do this by creating a parallax effect. This is when background images move more slowly than foreground images, creating an

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slow shutter speed wave

Getting creative with slow shutter speed

Using slow shutter speed is one of the best ways to capture motion in a photo. With it, you can blur the background while still keeping the subject in focus. This technique is often used in sports photography, but it can also be used to capture other types of motion,

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Adding motion to a still waterfall, with Plotagraph Pro

Plotagraph Pro, part of the Plotaverse app collection, helps you bring still images to life. One use is to add realistic motion to a photograph of water. Watch my short video tutorial below to see how I add motion to a photo of the large Godafoss Waterfall in Iceland. In

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Abstract photography turns motion into gorgeous textures

Motion in photography typically evokes concepts like energy, activity and restlessness. That makes it a powerful visual cue for portraying the frenetic energy of the world’s biggest and busiest cities. However, Munich-based landscape photographer and visual artist Roland Krämer was also recently inspired by motion in a unique and unexpected

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Bringing realistic motion to landscape photographs

(Editor’s Note: We welcome this guest post from Ed Wrzesien, an artist based out of Missoula, MT. His photography has been published by Simon and Schuster, the US Department of the Interior, Eastern Washington University, the University of Montana and Washington State Magazine. Learn more at resinstudios.net.) I recently acquired

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Determining a time-lapse approach

Time-lapses are a great, creative way to bring life to your still photographs. There are different approaches for taking time-lapses. Which one works best for you? In this ThinkTAP Learn video, instructors Richard Harrington and Ron Risman discuss things to consider when determining a shooting approach when you shoot time-lapses.

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Techniques for panning

In this video, Natalie Fobes explains the most effective techniques for panning in motion-centric photographs. For more LinkedIn Learning videos about photography, click here. There are times that you want to stop action and yet still convey motion, so the answer for you is to pan. A pan is simply

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Adweek webinar with Dennis Radeke and Richard Harrington July 24, 2018, 1:00pm EDT

Adweek Webinar: Video storytelling the impact of motion

Video is a force in advertising. From television to social media, motion impacts the message for products and services. Adweek, the voice of the advertising industry is presenting a webinar featuring Adobe Stock Content Development Manager Dennis Radeke and Photofocus publisher Richard Harrington. Dennis and Rich will present insights and

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Photographer of the Day: Isengardt

Category: Street Photographer: Isengardt “In And Out” The motion that the photographer is able to capture here is perfect. While it’s a scene you’ll stumble upon in every major city, being able to isolate two subjects and capture them with some motion is impressive. It requires patience and, with the

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Photographer of the Day: P Sterling Images

Category: Street Photography Photograph: Friday night in the City…. by P Sterling Images The two composition concepts that I find appealing and done well in this photo are the use of selective color and motion. In P Sterling’s image “Friday night in the City…” the photographer has successfully captured a

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DSLR Video Weekly: The Impact of Light and Motion on Focus

This is article #18 in the DSLR Video Weekly series.  If you’d like the whole thing in one shot, check out the book Creating DSLR Video: From Snapshots to Great Shots. Once you get the hang of video, be sure to monetize it by becoming a contributor to Adobe Stock. The greatest

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100 Years/100 Shots

Here’s a journey through the past 100 years of cinema. This video was crafted by Jacob T. Swinney, and he picked what he felt was the most memorable shot from each year. “While many of these shots are the most recognizable in film history, others are equally iconic in their

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