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luminar tutorials

Editing hundreds of images in minutes with Luminar’s batch processing
Using Sunrays in a landscape photo in Luminar 3
Combo superpower: Using Luminar 3 and Aurora HDR 2019 together
Using the Luminar 2018 Sunrays Filter on Your Drone Photographs
How to Use Luminar’s Brushes, Filters and Masks – Part 3
How to Transform Your Photos With Texture Layers in Luminar 2018 Part 2
How to Transform Your Photos With Texture Layers in Luminar 2018 Part 1

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Part 2 How to Transform Your Photos With Texture Layers in Luminar 2018

How to Transform Your Photos With Texture Layers in Luminar 2018 Part 2

For this composite, my goal was to produce a version of my galloping wild horses image that looks like it’s been drawn and woodburned onto an old board. Not sure why, I just thought it would look cool, the inspiration behind many my composites. Having an idea of what you want to make before you start usually produces the best results. But, don’t be so in love with your idea you can’t change as you create your composite.

At this point, I have my horse picture processed and saved as a high resolution TIF file, and have found a nice wood texture I want to use as the background texture. Ideally you want these texture files to be high-resolution also, so that you can print your finished piece later. Using a 400 pixel wide texture will result in a blurry grainy mess, it’s too small to print it big later.

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Part 2 How to Transform Your Photos With Texture Layers in Luminar 2018

How to Transform Your Photos With Texture Layers in Luminar 2018 Part 1

In the digital darkroom, we can take two paths with our images. The first is to use your photo processing software to get your image looking as close to what you saw when you took it. This is your standard digital darkroom workflow, adjusting your exposure, getting rid of spots, cropping, etc., with more of a focus on realism.

The second path is to take that photo and transform it into something completely different. It may be combined with other photos as a composite, have various effects applied, and generally will look completely different from what you started with, but in a good way! Here the focus is on creating something new, using your original image only as the first ingredient. This is compositing, combining multiple images and effects to produce an original piece of art. In this article I’ll take you down the second path, introducing how to use Skylum’s new Luminar 2018 to start doing your own composites.  

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Get the perfect crop with CompositionAI

With CompositionAI in the new LuminarAI, you can get the perfect copy and fix perspective issues in no time flat. Photofocus publisher Rich Harrington shows you how to get things done. Save on LuminarAI and get our free Boot Camp

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Avoiding memory card chaos

As photographers, we often take for granted one of the most important pieces of equipment we can invest in — memory cards. Whether you use CF or SD cards, there’s some simple things to remember in order to avoid card failure.

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Exposure Tactics: Mastering exposure with Kevin Ames

Exposure Tactics: Mastering exposure

This Exposure Tactics post explains what a “technically proper” exposure is and how to get there. Remember I said technically proper, not creatively right. The three photos above are with different exposures. Each one brings out a different feeling or

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Mind Your Own Business: New year, new plans!

Welcome to Mind Your Own Business, the podcast that helps photographers improve their business and their lives! Today Skip and I have a detailed discussion about what photographers can do to make 2021 (and 2022, actually) better than ever. “Growth

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Going wide with 24mm for street photography

For many photographers, 35mm is the ideal focal length for street photography. However, if you’ve ever been curious about wide you can go with your choice of lenses for this genre, the quick video above by Pierre Lambert will give

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