birds

All posts tagged birds

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons - Olympus OMD

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

My final Alaska eagle photography trip is close to an end. It’s been a great experience. My workshop sold out with lots of old friends in attendance. My assignments all went mostly pretty well. My hard drive is full of more amazing eagle images and lots of video.

It occurred to me that some of the questions I’ve been receiving about the trip might just as well be answered as part of the diary. So without further delay – here are some random eagle photography tips based on your questions.

1. We photograph eagles in the late winter because they congregate in confined areas near seaports looking for food. In the summer the birds are widely dispersed because there are so many food sources. In the winter, they hang out with each other in tight groups of about 120 or so in search of food.

2. The brown eagles you’ve seen in the pictures I’ve shared so far are immature bald eagles. The traditional bald eagle you may be familiar with, i.e., white head and brown or black body is an adult. It takes approximately five years for eagles to mature. From a photographic perspective, the adults are the hardest to photograph because of the wide dynamic range needed to hold detail on a white head and a black body. The immature birds have more interesting patterns on the wings, but may be hard to meter against a dark background. It’s not easy. It just looks easy.

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

3. It is possible to get very close to these eagles without baiting them. As long as you’re in an area where there is natural food like a beach or seaport, there will be eagles. We found a beach littered with dead fish and muscles and determined that during the low tides the eagles came down from the trees to feed. We set up on that beach this morning and three birds were perched nearby. By waiting, making sure the eagles are comfortable with our presence, and very slowly over a 15-minute period getting close enough to shoot, we had a half hour of photography with no bait and no problem.

4. We are able to get so close to these birds because we are not on U.S. soil. The United States has made just about anything and everything concerning eagles a crime, so we shoot from land owned by the Alaska Native Regional Corporations. The Coast Guard doesn’t like it – but there’s nothing they can do about it. We are probably more interested in protecting the birds than they are, but we also know what the actual threat of harm is and where hyperbole starts so we do as we please, but we do it with respect for the eagles. Some people don’t like it – I say tough. The images we make help make the general population aware of the birds and I believe has a positive impact on them overall.

5. Photographing eagles is an acquired skill. I’ve developed a few tricks over the years. I try to shoot shutter priority so I can freeze the wing tips in flight. This is anywhere between 1/1000th and 1/2000th of a second. Generally, 1/1500th of a seond is perfect. I try to shoot between f/6.7 and f/8. These are large birds and to get them sharp from front to back you need a little more depth of field. (Sorry to all those who practice the religion of shallow depth of field – it’s really not the only way to take a photo.)

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

6. We let the ISO act as our primary control when light changes. The shutter speed and aperture need to be reasonably constant if the birds are flying. For perched shots, I drop the shutter speed dramatically if I do want to run at lower ISOs.

7. A high-speed camera really helps. Six frames per second gives you lots of opportunity. 12 frames per second is heaven.

8. Good, fast, advanced autofocus really helps with flight shots, but when you don’t have that, manual focus works well, as long as you can pre-focus on the area where the birds will be. Anticipation is key. These skills aren’t new. Sports shooters used them for years before fast, reliable autofocus was available for film cameras.

9. Studying the birds yields the highest percentage of keepers. Once you know the bird’s behavior, you’re more likely to catch the bird where you want it.

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

10. It’s best to start focusing on a bird that’s far away when you’re attempting flight shots. Then track that bird all the way to its expected destination and stick with it. If you’re in a swarm of eagles (as we often are in Alaska) it’s tempting to try to pick them off as they fly by but very difficult to get good, clean, crisp, sharp images with good exposure.

11. Setting up a shoot like this is hard work. Sometimes the permits and insurance take months (or more) to arrange. The costs are prohibitive. We’re spending $40,000 on boat and crew alone. I’m not saying nobody else can do it, I’m just saying you need to be very committed to making it work if you’re going to invest the time and money to make the trip.

I hope this post answers most of your questions. I’ll write one more  post about this trip and then no more eagles. I promise. But I have to tell you – t’s been a blast being up here with great people, great weather and great eagles.

______

This Post Sponsored by:

lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/​Photofocus.

Skip Cohen University Professional photo education for wedding & portrait photographers.

ThingLink offers an interactive, online photo experience like nothing you’ve seen before. Join for free.

Drobo – Not only is Drobo 5D fast, but it’s easy-to-use, expandable, flexible, and protected.

Copyright Scott Bourne 2011 - All Rights Reserved

In my last installment of the diary, I said I was hoping for some weather at Bosque del Apache. Well I got it – perhaps I should have been more specific. I wasn’t hoping for deep, dark clouds and driving rain. I was shut out at the blast off. There was no light. But I did find some new spots that I’ll shoot from later. I made exactly one exposure and some video during the morning.

This is a good example of the patience it takes to be a nature or wildlife photographer. Unlike studio shooters who can control just about every aspect of their shoots, those photographing birds spend most of their time in a state of NO control.

You can’t control the weather, the light, the birds, the wind direction and strength, etc. You just need patience, luck and the basic knowledge required to put you in the best position to GET some luck.

Copyright Scott Bourne 2011 - All Rights Reserved

This is why so many people give up nature or wildlife photography. They go out once or twice and if conditions are bad, they form an opinion that it will always be that hard and they move on. It takes incredible patience, spanning years sometimes, to do this work. When you get some luck and everything fits together, it’s very rewarding.

I did have some luck this week. Some deer were grazing on the reserve. Usually they are very timid and hard to photograph. This week they seemed more accessible. I managed a decent shot of one.

As always happens at Bosque, each day is packed with meeting more old friends who’ve also come here for years, and I even met some new ones. I was gratified at the number of people who came up and introduced themselves to me saying the read the site or listen to the podcast.

Copyright Scott Bourne 2011 - All Rights Reserved

Because of the bad weather, I spent a few extra hours in Socorro. There are a few new restaurants, (If you go, try the new Mexican place directly across from Taco Bell. It’s really good) and a few old ones are victims of the recession. The old grocery stores are still here despite the newish Walmart. The Holiday Inn Express is one of the newest hotels in town, and it’s the most expensive and the nicest in my opinion. That said, it’s not exactly a great place. No Internet for the first two days of the trip and the hotel is badly in need of a renovation, but it’s still better than the choices we had in the mid 90s.

As I close this section of the diary I’ll say that now I’ve had enough time to form a reasonable opinion, there’s no doubt that my fears about Bosque turned out to be true. As bad as it’s been, I’ve been fortunate to get some good images. But it’s not like the old days. The refuge is simply seeing fewer birds than in past years. I talked with a wildlife biologist who assured me the bird populations are holding steady, it’s just that the birds aren’t stopping at the Bosque while on the flyway. I probably won’t be spending next Thanksgiving here.

Copyright Scott Bourne 2011 - All Rights Reserved

To steal from Forest Gump – “Nature/Wildlife photography is like a box of chocolates. You never know what you’re going to get!”

One more post coming from Bosque.
_______
This Post Sponsored by:
Adorama – More than a Camera Store - Animoto – Great animated slide shows from your photos / BorrowLenses.com – Renting Canon, Nikon, Olympus & Sony, bodies, lenses and more / SmugMug – Professional Photo Sharing / Tenba – Photo Messenger Bags

Copyright Scott Bourne 2005 - All Rights Reserved

Copyright Scott Bourne 2005 - All Rights Reserved

There are a very limited number of private workshops available with award-winning avian photographer Scott Bourne.

Southwest Florida is chock full of avian wildlife. Each winter, thousands of birds descend on Florida to soak up the sun and warm temperatures and to breed. Amazing photographs are there to be had if you have the right guide, know where and when to go, and are prepared with the right amount of information to succeed.

For the first time in five years, Scott Bourne is leading his private workshops in Florida. In 2010, Scott will lead six private, three day/two night workshops. You’ll meet your instructor at Noon in Fort Myers, FL on day one and the workshop will end with a late dinner at the end of day three, followed by return to your pickup location.

Fee: $1950 includes food, hotel and transportation (including one day on a private boat) from Fort Myers, FL. NOTE: Airfare to and from Florida is your responsibility. You may add a second person to the tour and split the fee for an additional $475.00. (A significant portion of the fee on this workshop goes toward hiring the boat and skipper.)

Private mentoring means you get all of the attention. You get exclusive access to the instructor, and your issues are the only issues that matter. You get all the good shots.. You get all the information. You get the best chance of success. Nothing will be held back. You’ll visit all the secret spots, get the best advice available, and come away with portfolio-worthy images. Continue Reading

Florida’s Beautiful Bird Slide Show from Scott Bourne

I spent February 11-18 in the Fort Myers, Florida region co-leading a sold-out bird photography workshop with Artie Morris from Birds As Art. It was my first trip to Florida in three years and all I can say is wow! It won’t be three years before I return.

The weather was PERFECT – it was 75-80 degrees and sunny most days with a light marine layer in the mornings. This provided wonderful shooting opportunities and we were doubly blessed with lots and lots and lots of birds. The locals were friendly and the food was amazing.

Our workshop attendees were all very nice people too and several were extremely good photographers. We even had some TWIPPERS on the trip. We spent our mornings getting up before sunrise so we could be in position to do some flash-blurs in the pre-dawn hours. Continue Reading

NOTE: Click here if you’re looking for the “Cranes in the Fire Mist” shot.

I’m sick, tired and making the long drive home to Gig Harbor, but none of that matters. I’ll be home in a few hours. When I get there, I will have traveled through eight states in 17 days, and driven 4400 miles in the new photo work truck. I will have met with a photowalking group in Salt Lake, made a speech at the raptor center near Boise, shot the Colorado river and Arches National Park as well as Shiprock, NM and of course the refuge at Bosque. Oh yeah, and did I mention I was sick? :)

The shooting at Bosque this year was darn good. In fact, the refuge itself was fantastic. I believe that the physical conditions at the refuge were as good as they’ve been in a decade. The right ponds were full of water. My friend Artie Morris was allowed to take a volunteer crew into the refuge to clear brush and provide good shooting lanes. Much of the excess vegetation that had grown around the ponds had been plowed under.

Last year, it was just the opposite. The refuge management had allowed vegetation to grow in ways that made it impossible to get good shots. They didn’t fill some of the best ponds, and photography there was nearly impossible.

While this year’s conditions were great, the weather wasn’t that helpful. It was very warm. And while my bones appreciated the warmth, the birds didn’t. Warm temperatures caused the birds to change their behavior. Additionally, climate change has caused fewer and fewer birds to make the trip to Bosque. Bird counts are down compared to a decade ago.
Continue Reading

Photo by Arthur Morris

Photo by Arthur Morris

UPDATE: Artie has graciously offered a $20 discount – not a $10 discount as previously mentioned.

PORTLAND, MAINE: “The Art of Nature Photography; It Ain’t Just Birds” Weekend How-To Seminar

If you’re anywhere near Portland, Maine, October 11-12, 2008, drop by the Eastland Park Hotel, 157 High Street, and watch my pal Artie Morris wow you with one of the best nature photo lectures you will ever see.

His seminar is for all nature photographers who want to learn how to make better photographs. On Saturday Artie will describe the methods and techniques that he’s developed and used since 1983. Artie will share his comments on equipment (including and especially digital equipment), autofocus, light, and on composition and image design, and his tips on getting close to free and wild subjects and creating pleasing blurs. Artie will share his approach to optimizing images of excellent quality in the shortest possible time. He will share workflow and numerous Digital and Photoshop tips on Sunday.

The cost of the weekend seminar will be $169. The cost of either single day will be $99. TWIP audience members get $10 off – be sure to let Artie know you found about the seminar on TWIP if you want the discount. You can also get a discount if you register with a group. Contact Artie for details. (NOTE: We are NOT getting a cut of the registration. We’ve negotiated a special price for TWIP fans, instead of taking a cut for ourselves.)

There are three ways to register:

1- Send a check for the full amount made out to “Arthur Morris” to PO Box 7245, Indian Lake Estates, FL 33855.

2- Call with a credit card at 863-692-0906.

3- Send a Paypal to birdsasart@att.net.

In all cases, we will need your e-mail address, your mailing address, and your daytime and evening phone numbers.

Just watching Artie give a slide show is worth going for. Add to the pot lots of door prizes and the perfect time of year to photograph fall color in Maine, and you have a winner.

Copyright 2004 Scott Bourne - All Rights Reserved

Copyright 2004 Scott Bourne - All Rights Reserved

1. Research and read everything you can about birds. This tip is good for any subject, but especially birds. I wanted to photograph eagles in flight. I found out they often defecate right before they fly. The more you know about any subject, the better off you’ll be when it comes time to press the shutter.

2. Have the right gear. Avian photography is one of the rare photographic pursuits where the equipment can often make the difference between getting a shot or not. Very long, fast lenses of 400 to 600mm at f/4 or f/5.6 are required for bird portraits. Fast 300mm lenses with image stabilization are required for flight shots. A good heavy tripod is a must and a camera with a fast burst and buffer rate really helps too. You’ll also want autofocus lenses. If you don’t have all this stuff don’t worry, you can rent it at most pro camera stores.

3. Know your gear before you go. The first time I went out to make avian images I took my new Canon 600 F/4 IS lens with me, but was unfamiliar with all the switches and the IS. I didn’t get any keepers. I took the lens home and practiced on coke cans in my back yard before my second outing and it made all the difference. Also, if you’re going to use a new camera, read the entire manual and play with all the features BEFORE you go into the field. Birds move fast. They won’t wait for you to remember how to set the aperture.

4. Photograph with your back to the sun. Birds look best when front lit. Sidelight may be the landscape photographer’s friend, but the avian photographer’s enemy.

5. Make the photograph at eye level. I got down on the ground to make one of my best-selling bird images and the editor told me it was the ground/eye-level shot that made the difference.

6. Backgrounds, backgrounds, backgrounds. Having a clean background is a must. When I photograph birds against a clean blue sky, I often get the most compliments. Also, the further your subject is from the background, the better. Busy backgrounds detract from the subject.

7. Practice at local zoos. Captive birds will give you a chance to study behavior, hone your skills and become familiar with bird photography and guarantee enough keepers that you won’t be frustrated.

8. Take it slow and be quiet. Birds are very easily disturbed. Sudden movements, loud noises and anything out of the ordinary will spook them. Take your time. Birds take off when they see nearly anything move quickly.

9. Like many subjects, birds are best photographed early in the morning and late in the afternoon. Fortunately this corresponds with the best light. Be there at the right time and you’ll increase your chances of getting a winner.

10. Look at lots of bird pictures. Writers read if they want to become better writers and photographers look at photographs if they want to become better photographers. Look at avian images in books, magazines and on the Web. See what the photo buyers are selecting. Use those images as your benchmark and then go get some of your own.