Perfecting the tones in your landscapes, or step #1 in finishing landscapes
Levi Sim
You’ve got your foreground element, you’ve got your rule of thirds, and you’ve got striking light on your subject. Everything is looking good for you
REVIEWS
tone
Editing gold tones in Lightroom Classic, part two
Nate Torres
In my second part about how to achieve gold tones in Lightroom, I dive into the color adjustment and split toning panels. If you haven’t
Editing gold tones in Lightroom Classic, part one
Nate Torres
In this post, I’m going to show you how to edit gold tones in Lightroom. This is the same exact way I edit my Instagram
Using Photoshop Selections for Color and Tone Adjustments
Rich Harrington
Great image color and tone adjustments start with a great selection. Â Learn how to do this quickly and easily. Follow along with these photos (provided
How To Maximize Color In Black & Whites with On1 Photo Raw 2018
Levi Sim
Simplifying a photograph by making it in black and white allows you to create a completely different photograph, and it’s really fun. Crafting your black
Photoshop Luminance Masks
Eric Renno
Editor’s Note: Don’t miss this week’s free event on when to jump from Lightroom to Photoshop. Photoshop Luminance Masks are a great way to edit
Photomatix Pro Workflow Tips for Real Estate Interiors
Mark Morrow
Making photographs indoors during the full light of day can present a variety of exposure challenges to real estate photographers in terms of dynamic range.
Lightroom’s Hidden Gems: The Radial Filter
Levi Sim
When I started digital photography, I thought Lightroom 2s Vignette tool was the greatest thing. It allowed me to darken the edges of my images
Fixing Shadows and Highlights with Lightroom
Rob Sylvan
Editors Note: The following is an excerpt from a new book called the Photofocus Guide: Develop Great Images in Lightroom. This book is almost done
Using Muted Tones to Control A Viewer’s Attention
Thomas Shue
This is a guest post by Thomas Shue – lilsamedia.com/blog Follow him on Twitter: Many times in photography you have very little control of the
Increasing the Dynamic Range of a Single Raw File
Rich Harrington
I’ve been digging really deep into Photomatix lately (I’m working on a new Lynda.com class). I’ve come across a feature that I absolutely love, and
Adding Tone and Contrast to a Single Image
Rich Harrington
I’m a big fan of details… I often like my images to feel a bit “gritty” and “deep.” Sure, it doesn’t work for every subject,
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