Mirrorless Camera Maniac: Switching from Full-Frame to Micro Four-Thirds
Bryan Esler
For years, I trusted my Nikon D800 kit to produce images for my clients. I knew the system inside and out, and was comfortable with it. But as time wore on, there were some pain points (literally). I regularly shoot corporate events. Oftentimes, these events require a hefty 70-200mm lens
