When using backlighting in an image, the first thing to decide on the light source. For beauty portraits, I prefer to use natural light, as it has a soft and lovely look to it, but this can easily be accomplished
When I first started out with photography, natural light was my best friend. I didn’t have money for lights, so I learned to shoot using what was available to me. Shoot after shoot, I’d tuck a little money away into
Vanelli sits down with Vincent Versace as he shares a story from the set using Wescott’s Ice Lights.
A diffuser is designed to spread harsh light evenly across your subject producing a beautiful soft light. “Controlling Natural Light with a Diffuser” gives tips on how to control light in direct sunlight and open or closed shade using a diffuser.
A portrait is about capturing the subject’s personality. Senior portraits take it a step further, capturing a specific moment in a teen’s life. If you are not familiar with the teen, ask them questions. I know Courtney and I know
I spend a lot of time working with strobes. As a commercial advertising photographer I find myself in many situations requiring some pretty complex lighting solutions. Don’t get me wrong, strobes are super groovy and lighting challenges are always relished
Portrait photographers like David Ziser and Clay Blackmore taught me very early in my career that great portraits are almost always short lit, and that made me happy. Knowing that a simple technique could give me a leg up in
Vanelli sits down with Vincent Versace as he shares a story from the set using Wescott’s Ice Lights.
A diffuser is designed to spread harsh light evenly across your subject producing a beautiful soft light. “Controlling Natural Light with a Diffuser” gives tips on how to control light in direct sunlight and open or closed shade using a diffuser.
A portrait is about capturing the subject’s personality. Senior portraits take it a step further, capturing a specific moment in a teen’s life. If you are not familiar with the teen, ask them questions. I know Courtney and I know
I spend a lot of time working with strobes. As a commercial advertising photographer I find myself in many situations requiring some pretty complex lighting solutions. Don’t get me wrong, strobes are super groovy and lighting challenges are always relished
Portrait photographers like David Ziser and Clay Blackmore taught me very early in my career that great portraits are almost always short lit, and that made me happy. Knowing that a simple technique could give me a leg up in
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