As a commercial advertising photographer that specializes in composites, I am continually developing my skill set to allow for easy unlimited tweaking of the images I create.When developing complex visual ideas with many layers, that most of the time, need to fit into a variety of formats, non-destructive techniques are
Make sure you don’t miss a single Photofocus post – point your feed reader to the free Photofocus RSS Feed here and subscribe. NOTE: This piece was cross-posted at my car-related site CarLoves.com. It appeared there as a three-part diary but I’ve condensed it into one long post here. This
Guest Post and images by Leon Stok NOTE: Cross Posted at Carloves.com (Author’s Note: Please be aware the my experience is limited to Gran Turismo 5 and I’ll keep my story limited to GT5 to prevent any mistakes there, though a Forza point of view is needed for a successful
Post & Photo by Joe Farace Often when Im a guest on the Photofocus Podcast, I get questions about photographing racecars and while almost all of those questions revolve around capturing action on the track, thats only part of the deal with motorsports photography. The part that we often don’t
Guest Post & Photo by Joe Farace There is an old racers expression that goes: Theres no substitute for cubic inches. Translating that into advice for drag racing photography turns it into Theres no substitute for millimeters of focal length. My guess is that some of your best action images
