The Beauty of F/2.8, in the Palm of Your Hand – TAMRON 35–100mm F/2.8 Di III VXD (Model A078), For Sony E-mount and Nikon Z mount full-frame mirrorless cameras Tamron just announced the launch of the 35–100mm F/2.8 Di III VXD (Model A078), a fast-aperture standard zoom lens designed for
For Sony E-mount and Nikon Z-mount Full-Frame Mirrorless. When a lens promises constant F2.8, full-frame coverage, and a compact design, I’m interested. When it actually delivers on all three, I pay attention. The new Tamron 35–100mm F/2.8 Di III VXD (Model A078) for Sony Corporation E-mount and Nikon Corporation Z-mount
Once you’ve got your family photography workhorse lens sorted, it’s time to start adding creative options to your kit. If you read my last article, then you’ll know that the number one lens I recommend you buy to get started in family photography is the 24-70mm f/2.8 lens. I use
Most night photographers use an ultra-wide angle lens. Some use longer lenses for deep-sky astrophotography. But what about the Nifty Fifty? Enter the Nifty Fifty Some people describe a Nifty Fifty as approximating what we see. I’m not really sure that’s quite right. But regardless, it is a “tweener” lens
When you’re new to photography, one of the things that are high up on your to-do list is to master your gear. Aside from camera settings, you also need to familiarize yourself with crucial equipment like lenses. However, it can be overwhelming even for non-beginners, especially when they switch to
I’ve been that guy. You know the guy who’s convinced the latest and greatest camera, lens, flash, flash modifier, strobe light, gel, grid and magnetic softbox will help them achieve the desired result in their images? Yeah, that was me and in some ways, it still is. I love gear.
Thypoch’s debut lenses, the Simera 28mm & 35mm f/1.4, first launched in 2023, made waves with their fusion of retro aesthetics and modern optical engineering. Now, Simera 28mm and 35mm ASPH type ii are available with a crescent-shaped focus tab, offering an enhanced user experience. Compatible with Leica M, Nikon
We’ve all been there. The gear closet, the dusty drawer, that forgotten corner of the shelf. In this photographer’s purgatory, lenses we once loved slumber, collecting more memories than megapixels. But listen up, shutterbugs! It’s time to give those old gems a second chance. Let’s face it, photography is a
Ever wondered why some photos look wide and expansive, while others are zoomed in and detailed? Or why are some images bright and clear while others seem to blur more? The answer lies in the lens, a crucial component of any camera. Let’s take a look at two key concepts:
The XCD 3,2-4,5/20-35E is the first ultra-wide-angle zoom lens and the first lens in the Hasselblad XCD E series. The ‘E’ designation stands for Exclusive, representing the top optical performance in the XCD lens lineup. It has a 16-27mm full-frame equivalent focal length range with a maximum aperture of f/3,2.
Whenever the 85mm focal length is mentioned, most photographers immediately think about portrait photography. While it’s definitely among the first focal lengths that portrait photographers reach for, there’s more to it than that. It actually comes pretty handy for other types of photography as well! In the video above, Sydney,
Canon U.S.A., has recently announced the new RF-S3.9mm f/3.5 STM Dual Fisheye lens, bringing ease, affordability and quality for social media creators interested in exploring VR content creation. The RF-S3.9mm F3.5 STM Dual Fisheye lens is compatible with the EOS R7 camera* and will be available in June 2024. The
