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In Your Bag

Moose Hates Tripods | Moose Peterson – What’s in Your Bag
Shooting with the Nikon DF | Moose Peterson – What’s in Your Bag
The Camera of the Moment | Joe McNally – What’s in Your Bag
Understanding your Subject | Moose Peterson – What’s in Your Bag
Overkill Cameras and the Right Camera for the Job | Joe McNally – What’s in Your Bag
Reliability of the Nikon D4s | Moose Peterson – What’s in Your Bag
Repairing an Old Lens | Joe McNally – What’s in Your Bag
The Essential Kit | Joe McNally – What’s in Your Bag
Having Patience in Alaska | Moose Peterson – What’s in Your Bag
Nikon D810 vs D800 | Joe McNally – What’s in Your Bag
Work vs Personal Cameras | Joe McNally – What’s in Your Bag
How to Improve an Incredible Camera | Joe McNally – What’s in Your Bag

More posts

OOCSummer17-134

Avoiding the harsh, direct flash look

One of the biggest reasons why I don’t like pop-up flashes is that it gives uneven, harsh lighting directed at your subject. Even with an on-camera speedlight, the same effect can happen. And while you can play around with the

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High Key 01

Easy high key lighting with two lights

Creating high key light is making sure there is enough light on your background so it is pure white, with no shadows. This can be done using strobes or LEDs or a mixture of both types of light. There are several

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