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Which Type of HDR is Right for You?
Primer for Still to Video Shooters Part 4
Primer for Still to Video Shooters Part 3
Primer for Still to Video Shooters Part 2
Primer for Still to Video Shooters Part 1

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Primer for Still to Video Shooters Part 3

EDITOR’S NOTE: Guest Post by Ron Dawson To see Part 1 in this series, go to : https://photofocus.com/2009/11/16/primer-for-still-to-video-shooters-part-1/ To see Part 2 in this series, go to : https://photofocus.com/2009/11/17/primer-for-still-to-video-shooters-part-2/ In parts I and II of this series, we covered framing

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Primer for Still to Video Shooters Part 2

EDITOR’S NOTE: Guest Post by Ron Dawson To see Part 1 in this series, go to : https://photofocus.com/2009/11/16/primer-for-still-to-video-shooters-part-1/ In this installment, well cover some more shooting tips for getting good video footage for interviews. Mistakes and Retakesit is okay if

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Primer for Still to Video Shooters Part 1

EDITOR’S NOTE: This is a series of guest posts by my friend, Ron Dawson. Ron is an international award-winning video producer, speaker, and video business coach. For the second consecutive year he was named to the Event DV Top 25

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OOCSummer17-134

Avoiding the harsh, direct flash look

One of the biggest reasons why I don’t like pop-up flashes is that it gives uneven, harsh lighting directed at your subject. Even with an on-camera speedlight, the same effect can happen. And while you can play around with the

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High Key 01

Easy high key lighting with two lights

Creating high key light is making sure there is enough light on your background so it is pure white, with no shadows. This can be done using strobes or LEDs or a mixture of both types of light. There are several

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