Learn how to enhance both subjects in an environmental portrait. You can make the person look amazing with AI Skin and Portrait Enhancer. Plus bring the background to life with Accent AI and AI Structure. Luminar works as both an
Dread: That’s the feeling that happens when you know you’re in over your head but you have to perform anyway. Dread started weighing on me and pulling my stomach into my shoes when I arrived for this photoshoot. I was
Whenever you make a portrait, you should say to yourself, “Self, I like this picture because ____.” Then, you should use the right tools to help the picture emphasize the things you like. When I made this portrait, I was
The other day a fellow contacted me about a picture I made nearly ten years ago. He was an assistant to the master woodcarver and I spent a few minutes making pictures with them. The event was Baby Animal Days
With visions of Joe McNally’s firetruck portraits in mind, I set out on a ride-along with the Salt Lake City Fire Department. Now, I didn’t get to rig lights outside the truck, and I wasn’t driving at night through Times
I’m pretty excited because Vanelli and I are teaching a class at Photoshop World on environmental portraiture. I love making environmental portraits because they help inform our knowledge of the person we’re looking at without saying a word. The trouble
Making pictures of people who are good at their craft while they are doing their craft is one of the best subjects you can ever find. They are passionate, you are passionate, and the pictures always turn out well. When
I’ve said many times that the background in a picture is just a backdrop that’s its job is to not ruin the portrait. Well, this time I’m backpedaling a little. The right background or environment or details for your picture
If you know anything about HDR, you probably know it shouldn’t be used for portraits. High Dynamic Range photography techniques usually increase the ability to see details, and nobody wants to see more detail in the skin in a portrait.
Joel Grimes’ work is instantly recognizable. From powerful, dynamic posing, to a rich, yet desaturated, HDR look, to masterful compositing which is both surreal and firmly grounded in reality, his photography is iconic. His work has such intensity that, when I met Joel a few years back, expected him to be equally intense and, perhaps, aloof. Instead, Joel is easy-going, approachable and generous with his time and knowledge.
Creating a compelling portrait can take a lot of thought and design. But here are three practical tips you can use to improve your image. Choose the Right Lens Choosing the correct lens can make a huge impact on your
I photograph a lot of people in their places–people working and living and their environments. These environmental portraits are so much fun to make, but I’ve usually got a limited time to make them–business people can only halt business for
Whenever you make a portrait, you should say to yourself, “Self, I like this picture because ____.” Then, you should use the right tools to help the picture emphasize the things you like. When I made this portrait, I was
The other day a fellow contacted me about a picture I made nearly ten years ago. He was an assistant to the master woodcarver and I spent a few minutes making pictures with them. The event was Baby Animal Days
With visions of Joe McNally’s firetruck portraits in mind, I set out on a ride-along with the Salt Lake City Fire Department. Now, I didn’t get to rig lights outside the truck, and I wasn’t driving at night through Times
I’m pretty excited because Vanelli and I are teaching a class at Photoshop World on environmental portraiture. I love making environmental portraits because they help inform our knowledge of the person we’re looking at without saying a word. The trouble
Making pictures of people who are good at their craft while they are doing their craft is one of the best subjects you can ever find. They are passionate, you are passionate, and the pictures always turn out well. When
I’ve said many times that the background in a picture is just a backdrop that’s its job is to not ruin the portrait. Well, this time I’m backpedaling a little. The right background or environment or details for your picture
If you know anything about HDR, you probably know it shouldn’t be used for portraits. High Dynamic Range photography techniques usually increase the ability to see details, and nobody wants to see more detail in the skin in a portrait.
Joel Grimes’ work is instantly recognizable. From powerful, dynamic posing, to a rich, yet desaturated, HDR look, to masterful compositing which is both surreal and firmly grounded in reality, his photography is iconic. His work has such intensity that, when I met Joel a few years back, expected him to be equally intense and, perhaps, aloof. Instead, Joel is easy-going, approachable and generous with his time and knowledge.
Creating a compelling portrait can take a lot of thought and design. But here are three practical tips you can use to improve your image. Choose the Right Lens Choosing the correct lens can make a huge impact on your
I photograph a lot of people in their places–people working and living and their environments. These environmental portraits are so much fun to make, but I’ve usually got a limited time to make them–business people can only halt business for
Environmental portraits show people in their place, their habitat. The environment sets the mood and the place of the story, and a single look at the photograph can tell you what the story is about. Let me show you three
Today was rainy, and then it was rainy and windy, but what else can I expect in the winter in the Pacific Northwest? Trouble is, I still have to make a living even when it’s raining. Fortunately, I had a
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