I’ve done lots of close-up and macro photography in my career, and I’ve tried many methods to get better results. We know that focusing close to a subject is one of the ways to make a very shallow depth of field, and when you zoom in and shoot close and
When I heard that Photofocus was renting the Pinball Hall of Fame for a party, my mind started going crazy with ideas. The plan was to host a party during Photoshop World in Las Vegas and invite Photofocus readers to join us for a live shoot with models and borrowable
Vanelli sits down with Vincent Versace as he shares a story from the set using Wescott’s Ice Lights.
There is no such thing as ‘the perfect light’ for every situation and there are often times on professional assignments where the lighting needs get really complicated. When I’m shooting for myself I can usually modify the picture slightly to suit the kit I have available but when a client
The picture above shows the classic Hollywood look that is created when the nose shadow touches the cheek shadow to enclose a triangle of light on the unlit side of the face. The pictures in this post are the result of my summer 2013 project. I started my quest to
