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Ahhhh, fall. The fresh, crisp air, the cooler temps and — oh yes — those colorful leaves. Many of us love to get out and photograph the fall leaves in all their landscape glory but how about taking some time
The last week of summer closes out with lots of great reads on Photofocus this week. We kicked off fall with a bang this week on Photofocus, with Lauri Novak starting the week off with some great fall photography ideas
I don’t know about you, but fall is one of my favorite seasons. Why? It’s finally cooling off, there are more colors in the world and the air becomes more crisp and fresh. What does this mean as a photographer?
Will fall in full swing, and the leaves starting to change, now’s a good of time as any to get out and photograph the changing season! Fall provides some great opportunities for all different types of photographers to capture the
You gotta join us live for our next Lightroom Live, totally free of charge. Not only will you learn terrific techniques, but if you tune in live, you can be entered to win excellent prizes to help you in your
You gotta join us live for our next Lightroom Live, totally free of charge. Not only will you learn terrific techniques, but if you tune in live, you can be entered to win excellent prizes to help you in your
Rocky Mountain National Park in the fall is a nature photographer’s dream come true: tall, rugged mountains, landscapes saturated with the colors of changing leaves, and wildlife so close at times you barely need a telephoto lens. I last visited
Category: Nature Photographer: Mary Hulett Title: Guadalupe Serenity There is much to like about Guadalupe Serenity, starting the use of the water as a leading line, which pulls the viewer through the frame. Next, I love the color palette. In
Category: Architecture/Landscape Photography by Nadeem Ahmad Originally shared on the Photofocus Flickr page. There’s no denying the power of autumn’s colors when you look at images like Nadeem’s. The smattering of reds and oranges draws the eye and the trail
Nikon D800, 50mm f/1.4 D lens, f/11, 0.4-1.6s, ISO 100, finished in Photomatix Pro and Lightroom 5 I’ve taken Rich Harrington’s advice and read The Visual Story, by Bruce R. Block, and the one point that always comes to mind
National Parks at Night hold night photography workshops that provide top-shelf education both in the classroom and in the field, and are arguably the best in the world at doing so. So when they decided to create a Night Photo
Pre-photography, I spent the first 15 years of my adult life supporting people with special needs in various capacities. I loved what I did, and it was incredibly rewarding. I cared for my students and clients dearly, and they were
Note: This post is from our book Develop Great Images in Lightroom (available for iBooks). Often when I crop, its all about precision. I frequently need to crop to a specific aspect ratio. Sometimes it’s for the screen (video projects and
I recently had a friend ask me what the difference is between underexposing and image and overexposing. Why do you do it and when? Is there a rule to follow when exposing your images? Underexposed Let’s start with the basics.
Like most photographers, I’m always looking for the right location, the right angle, the perfect light and the right moment to make the photograph. Whether I’m traveling abroad or walking around Boston, near my studio, one of my favorite times
With the pandemic still ongoing, a lot of us are still unable to travel far for landscape photography. But, we can instead take advantage of the extra time to hone our editing skills. This will especially apply to beginners who
Corey Rich is an acclaimed photographer, director and teacher, best known for his adventure photography. As a college student in the mid-90s, Rich began documenting the sport he loved, rock climbing. This hobby initiated a long and successful adventure photography
I took the time to read comments on this site, as well as a few other sites, and found that there are some terms that need some clarification for use in the photo world. Some are quite comical, and some
I’ve long been a square filter user when it comes to wide-angle lenses. But when it came to my new Sigma 14-24mm f/2.8 lens for my Sony kit, I now had a second option — rear filters. I was lucky
I adore using curves and using curves layers in Adobe Photoshop. I think I use that one tool more than any other! It’s quick and easy, and can make such a difference with little effort. Going beyond the ‘S’ curve
