In 1854, a photographer by the name of André Disdéri patented a new take on the collodion process called the Carte-de-Visite (or Carte, for short). Though they could be a singular image, Cartes were often multiple exposures taken onto a single sheet of paper, creating almost a collage effect. A
In my last History of Photography article, I talked about the wet plate, or collodion process and how it was quickly adopted as the status quo in the industry. Like many things that are popular, offshoots are invented by people looking for their own piece of the pie. In the
Lasting Impacts of the Daguerreotype In the past few articles of this series, we’ve seen how the daguerreotype came about but we haven’t really taken a moment to look at just how far-reaching the effects of its “birth” were. For starters, the daguerreotype put an end to the portrait making
