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How to build a career in action sports photography
What makes a good composite, with Joel Grimes
InFocus Interview Show, special edition: Photography tips from Photoshop World with Greg Kusumi
InFocus Interview Show, special edition: Finding your passion with Grace Lee
InFocus Interview Show, special edition: Learn to recognize opportunities with Abe Curland
Interview with Clay Taylor | Birding to Bird Photography
Free Webinar: Running a Professional Photo Shoot with Matthew Jordan Smith
Instant Replay: Fixing (and Organizing) Holiday and Vacation Photos
Tim Wallace – The Story Behind the Photo
Moose Hates Tripods | Moose Peterson – What’s in Your Bag
Shooting with the Nikon DF | Moose Peterson – What’s in Your Bag
The Camera of the Moment | Joe McNally – What’s in Your Bag

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OOCSummer17-134

Avoiding the harsh, direct flash look

One of the biggest reasons why I don’t like pop-up flashes is that it gives uneven, harsh lighting directed at your subject. Even with an on-camera speedlight, the same effect can happen. And while you can play around with the

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High Key 01

Easy high key lighting with two lights

Creating high key light is making sure there is enough light on your background so it is pure white, with no shadows. This can be done using strobes or LEDs or a mixture of both types of light. There are several

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