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Four camera features that are overhyped

Choosing a new camera may be overwhelming for beginners. It’s not only because of the sheer number choices out there, but also due to all the camera features they have to consider. It can be confusing to determine which ones are really necessary, especially if you’re just looking for an

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How to use split toning to make colors pop

Color is a powerful visual tool that works wonders on your photography. Using split toning when editing your photos is among the most effective ways to do this. If you’re fairly new to post processing techniques, it’s worth learning how to utilize it, whatever your photo editing software. In the

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Neewer Z160 Mini Flash

Review: Neewer Z160 Retro On-Camera Flash

The Neewer Z160 Retro On-Camera Flash is a compact, lightweight, and affordable on-camera flash designed for beginner and hobbyist photographers who want better lighting without breaking the bank. At approximately AUD $160 (currently on sale at AU $79.99/$69.99), it offers simple Auto and Manual modes, a built-in rechargeable battery, and

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Throw stuff at the camera for fun family photos

OK, maybe not right at the camera. And I know, I know, we shouldn’t encourage small children to throw stuff, especially at expensive cameras. But let’s explore the idea, because by using the natural environment, readily available props and gravity, you can add color and movement easily to your next

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Photographic studio lighting: Wood

Here’s the latest in a series on lighting in the studio. Wood is the subject and we are building depth and dimension by lighting from behind. This was assigned by Dr. T from Platypod. Note that I am a Platypod Ambassador and have been given gear with which to work.

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Fujifilm introduces FUJIFILM GFX ETERNA 55 filmmaking camera

FUJIFILM GFX ETERNA 55 is the company’s first digital camera dedicated to professional filmmaking FUJIFILM North America Corporation, Electronic Imaging Division, announces the release of its FUJIFILM GFX ETERNA 55 Filmmaking Camera (“GFX ETERNA 55”), the company’s first camera designed primarily for professional digital filmmaking. With GFX ETERNA 55, Fujifilm

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Fujifilm introduces FUJINON GF32-90mmT3.5 PZ OIS WR Lens

Fujifilm’s latest lens release is the first motorized power zoom lens for the GFX System. FUJIFILM North America Corporation, Electronic Imaging Division, recently announced the release of its FUJINON GF32-90mmT3.5 PZ OIS WR filmmaking lens (“GF32-90mmT3.5 PZ OIS WR”). The first FUJINON motorized power zoom lens for the GFX System,

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Color grade like Annie Leibovitz

I once had the privilege of spending a few days in Scotland with my close friend Jakub Bors. During our time together, I complimented his exceptional use of colors, and he revealed that his inspiration came from none other than Annie Leibovitz. Jakob has even created a video tutorial on achieving

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Through the lens: Embracing evolution in photography

Is your photography evolving or stagnating? Often this is a difficult and personal question. But it is one worth discussing, I believe. Photography is an art form that allows us to capture moments, emotions and stories through a lens. As photographers, we strive to improve our skills and create images

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How to choose your focal length for street photography

As with any photography genre, using the right focal length is crucial to realizing your creative vision in street photography. However, it’s understandable that you won’t get it right the first time. If you find yourself unsure about or struggling with choosing between several focal lengths, today’s featured video should

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Nikon announces ZR, their first cinema camera for filmmakers

ZR, the first Nikon camera in the Z Cinema Series combines Nikon’s optical expertise and high-performance AF with RED Digital Cinema’s color science and cinematic DNA Today, Nikon introduced the ZR, an ultra-lightweight, full-frame camera that marks an introduction to the Z Cinema series, a collection that invokes the best

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Luminar Mobile

Editing on the go with Luminar Mobile

Sometimes, we just don’t want to carry the “big camera” everywhere. As much as I love my Sony gear and lenses, there are times when the convenience of my phone wins out—whether I’m out walking the dogs, grabbing a quick coffee, or just don’t feel like lugging around a heavy

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