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Roger Cicala

A Spider and His Web…Inside a Lens?
The Petzval Lens: A New Old Lens
The Cynic’s Photography Dictionary
Party Like It’s 1995! A Look at the First DSLR’s
The A7R Breakdown: A Look Inside the Sony’s Mirrorless Camera
Comparing the Sigma and Canon 50mm to the Zeiss 55mm

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OOCSummer17-134

Avoiding the harsh, direct flash look

One of the biggest reasons why I don’t like pop-up flashes is that it gives uneven, harsh lighting directed at your subject. Even with an on-camera speedlight, the same effect can happen. And while you can play around with the

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High Key 01

Easy high key lighting with two lights

Creating high key light is making sure there is enough light on your background so it is pure white, with no shadows. This can be done using strobes or LEDs or a mixture of both types of light. There are several

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