The photographer’s best tool is light, and there are many choices. Light is used to mold, define, describe and set the mood of a portrait, so knowing how to recognize the light or control it, is of ultimate importance to the artist. I’m both a natural light, or “Portraits Unplugged”
It’s pretty easy to make your own natural light “studio” for just a little money and a little time for set up. “Portraits Unplugged” is what I call shooting with ambient light and it’s important to understand the direction, quality and depth of light in order to make a portrait
Dan Bailey and Karen Hutton, Fujifilm X Team Photographers, jumping for joy in Florida Fuji XT 2, 10-24mm f 4 lens, ISO 800, f 4, 1/8000, Fuji X 500 flash on High Speed Sync. Platypod has just introduced a new model of their awesome camera support system, the Platypod Ultra.
Dragging the Shutter, as we learned in Part One, is a tricky technique where you light the subject with your flash, and then use a slow shutter speed to pull in the background light. All the basic how-to information on how to balance light to make it “correct” is laid
Dragging the shutter is a technique that balances the exposure of strobe and ambient light sources in one photo. For example: taking a photo of someone outside at night by using a portable flash and also capturing the city lights in the background. Balancing Strobes and Ambient Light Strobes put
