When photographing pasta or food in general, adding a utensil in the scene can imply the action of someone getting ready to eat the food. This can “humanize” your photograph and make it more relatable. However, in many cases, it is difficult to handhold the utensil in the frame and also keep it still (especially in low-light situations). And if you’re like me, you may even be doing everything solo. This makes it nearly impossible to set up and photograph without having any trouble. In these situations, I find that pre-positioning the utensil with a Manfrotto Magic Arm is the best way to set things up.
For this setup, I used an off-camera Speedlight to backlight the food with a diffusion panel in front of it to soften the light. I added a black foam board in the background. And, positioned a piece of white foam board off to the side to fill in shadows in the front. I used a hand steamer to add the steam to the pasta. And I was able to “freeze” the steam using a combination of a fast shutter speed and the light from the Speedlight.
Here’s the list of equipment used to get the pasta on a fork image:
- Camera: Canon 7D
- Lens: Canon 70-200mm f/4L IS
- Exposure: 1/250 sec at /7.1, ISO 100
- Canon Speedlite 430EX
- Lastolite TriGrip Diffuser
- Black foam board for background
- White foam board underneath and also to the left for fill light
- Small reflector for fill light
- Manfrotto Magic Arm to hold fork (w/ Gaffer tape)
- Small clothes steamer to add steam to the food
Very nice! The steam makes the shot mouth watering! How about a shot with a big juicy meatball :-)
Great work Nicole. Especially interested in the background to the shot. I often shoot macro pictures of orchids and may look at using an extra flash for backlighting the petals.
Thanks for the info.
Bill
Very cleverly thought out execution, particularly the diffused main light from behind and above providing back lighting to make the past translucent, the secondary frontal fill light from the folded card, and the tertiary fill light from the gold reflector to warm the image slightly.
How much did you have to fiddle with the speedlight power?
I might have attempted this image with continuous frontal lighting, rear reflectors, and much longer shutter speed. But, I doubt it would have succeeded as well!
Thanks for sharing the technique.
JOC
Looks wonderful Nicole. I would like to know what the item is that is holding the fork. I have looked for something along that line for a while to no avail.
Thanks,
Marcia
Hi Marcia
Under List of Equipment used Nicole lists it as a “Manfrotto Magic Arm to hold fork (w/ Gaffer tape)”.
Other Companies make similar units. I have many times looked at buying one of these myself, looks like a handy unit for Macro work.
Peter
Looks wonderful Nicole. I would like to know what the item is that is holding the fork. I have looked for something along that line for a while to no avail.
Thanks,
Marcia
Hi Marcia
Under List of Equipment used Nicole lists it as a “Manfrotto Magic Arm to hold fork (w/ Gaffer tape)”.
Other Companies make similar units. I have many times looked at buying one of these myself, looks like a handy unit for Macro work.
Peter
Very cleverly thought out execution, particularly the diffused main light from behind and above providing back lighting to make the past translucent, the secondary frontal fill light from the folded card, and the tertiary fill light from the gold reflector to warm the image slightly.
How much did you have to fiddle with the speedlight power?
I might have attempted this image with continuous frontal lighting, rear reflectors, and much longer shutter speed. But, I doubt it would have succeeded as well!
Thanks for sharing the technique.
JOC
Great work Nicole. Especially interested in the background to the shot. I often shoot macro pictures of orchids and may look at using an extra flash for backlighting the petals.
Thanks for the info.
Bill
Very nice! The steam makes the shot mouth watering! How about a shot with a big juicy meatball :-)