If you’re shooting raw, you may have gotten a bit lazy with your white balance settings since they are so easy to fix in post. But if you’re shooting video or JPEG, there is a benefit to getting it “right in camera.”
Here’s a video I recorded for the DPBestflow project which may help you.
Rich has published over 100 courses on Lynda.com. Rich has authored several books including From Still to Motion, Understanding Photoshop, Professional Web Video, and Creating DSLR Video.
Latest posts by Rich Harrington (see all)
- Working with Single Raw Files in Aurora HDR 2018 (part 2) - March 20, 2018
- Working with Brackets in Aurora HDR 2018 (part 1) - March 16, 2018
- How to Key Greenscreen Video in Adobe Premiere Pro - March 7, 2018