When you think about focus stacking, your mind likely goes to macro photography. When photographing close-ups, you can use focus stacking to create a tack-sharp image from front to back. This is especially important when doing macro work, because the
This new Conceptual Creativity series is a collaboration with my friend Daniel Mallard. Dan has been a photojournalist for a major Canadian daily newspaper for over 35 years. In this “Golden Statue” edition, he is showcasing valuable tips and techniques
Fireworks photography is a great way to get your creative juices flowing. The traditional approach for shooting fireworks is to set your camera on a tripod and open the shutter for a few seconds while the fireworks explode. Last year
Is it possible to make good photographs from the window of a moving train? If you asked me last month I would have said absolutely not. The windows are blotchy with dirt and watermarks. Reflections abound. And what about the
Today we chat with travel photographer Jeremy Horner. We discuss tips for successful street photography, building trust with people you photograph, the learning process involved with travel photography and more.
Here’s a great tip I got from watching some grips quickly change gels on some frames. In the past, when you removed an old gel or diffusion material you always had the mess of the sticky material. Either the 2-sided
So often someone will take the time to light the talent to look great but forget to light the background and give the image some depth: One method is to use a Cucoloris. Some will refer to it a s
One of the most used tools on a Hollywood set, oh heck on any set, is the C-Stand. C in Roman numerals representing the numeral 100 is how the C-Stand got its name, 100’s of uses. When closed it’s 53″
Some of the most used tools on a Hollywood set are C-Stands and Apple Boxes. Then there are these little babies, Baby Plates. What is a Baby Plate you ask? It’s a 5/8 stud, about 3″ tall, welded onto a
Its a beautiful sunny day, you’re shooting indoors looking out to a sliding glass door or window and its brighter outside than on your set. Your talent is moving so HDR is not an option. You really don’t want a
A great way to challenge yourself and enhance your skills is to shoot some personal projects. Here is an opportunity to stretch your imagination. Building sets, buying props, coordinating wardrobe, scouting locations and casting talent are all part of the
Photographers have struggled with limited dynamic range for as long as there have been photographers. Expose for the highlights in most scenes, and you will end up with crushed shadows where no details can be extracted from the inky blackness.
Fireworks photography is a great way to get your creative juices flowing. The traditional approach for shooting fireworks is to set your camera on a tripod and open the shutter for a few seconds while the fireworks explode. Last year
Is it possible to make good photographs from the window of a moving train? If you asked me last month I would have said absolutely not. The windows are blotchy with dirt and watermarks. Reflections abound. And what about the
Today we chat with travel photographer Jeremy Horner. We discuss tips for successful street photography, building trust with people you photograph, the learning process involved with travel photography and more.
Here’s a great tip I got from watching some grips quickly change gels on some frames. In the past, when you removed an old gel or diffusion material you always had the mess of the sticky material. Either the 2-sided
So often someone will take the time to light the talent to look great but forget to light the background and give the image some depth: One method is to use a Cucoloris. Some will refer to it a s
One of the most used tools on a Hollywood set, oh heck on any set, is the C-Stand. C in Roman numerals representing the numeral 100 is how the C-Stand got its name, 100’s of uses. When closed it’s 53″
Some of the most used tools on a Hollywood set are C-Stands and Apple Boxes. Then there are these little babies, Baby Plates. What is a Baby Plate you ask? It’s a 5/8 stud, about 3″ tall, welded onto a
Its a beautiful sunny day, you’re shooting indoors looking out to a sliding glass door or window and its brighter outside than on your set. Your talent is moving so HDR is not an option. You really don’t want a
A great way to challenge yourself and enhance your skills is to shoot some personal projects. Here is an opportunity to stretch your imagination. Building sets, buying props, coordinating wardrobe, scouting locations and casting talent are all part of the
Photographers have struggled with limited dynamic range for as long as there have been photographers. Expose for the highlights in most scenes, and you will end up with crushed shadows where no details can be extracted from the inky blackness.
Most people refer to it as a clothes pin; in Hollywood it’s referred to as a C-47. They were named that way because back in the day there were 47 pins in a pack. The C stands for clamp, hence
Here is a great economical way to soften your light. They’re China Balls: These were used on the set of Grey’s Anatomy. You can buy these light diffusers from World Market or Pier 1 Imports. Here’s a link to Filmtools.
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