Photographers tend to fixate on post-production workflow but might be better-served if they concentrated on their creative workflow first.
Here are seven ways that photographers can improve their creative workflow.
1. Keep an idea book. It can be a journal, it can be a box full of pictures you like, it can be a series of web-based bookmarks – but keep a stash of supportive, inspirational ideas on hand and work on this during your non-shooting time.
2. Schedule time to shoot – preferably every day. Make it part of your routine. If you constantly expose yourself to photographic situations you increase the chances you’ll come up with something creative.
3. Prioritize your creative time. If you start your week by spending time on creative endeavors, it becomes less likely that you’ll find an excuse at the end of the week to say “I’ve run out of time.”
4. Look at lots of other photographers’ work. The more work you look at the more creative you will become. I am as sure of this as I am my own name. You don’t need to steal their ideas, but you can be inspired by them.
5. Reshoot a photo you made at the beginning of your career. Think through all the things you’ve learned since them and methodically apply them one-by-one. Then start thinking like that on new projects.
6. Juxtapose ideas, thoughts, and anything else you can think of that normally does NOT go together – like a basketball team standing in a swimming pool or an 80-year-old great grandmother shredding on an electric guitar. Then try to find creative inspiration in these odd mixes.
7. Think about what you want your photo to look like as a finished product – THEN press the shutter. This will force you to apply the same sort of creative ideas you use in post while in camera.
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Free Video Tutorial – Adobe CS6 Adaptive Wide Angle
Guest Post by Rich Harrington - Follow Rich on Twitter
Rich offers a tutorial on a new feature in Adobe CS6 Called Adaptive Wide Angle
DISCLAIMER: This post isn’t intended to be definitive – we’re not claiming this is the ONLY way or even the BEST way to accomplish this task in Photoshop, Aperture, iPhoto or any other post-prodcessing program. We’re merely offering it as A way you might accomplish this task. These tips are free, offered only because they might be helpful to someone.
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(NOTE: This photo was already licensed under an exclusive arrangement so therefore could not be included in my Creative Commons Non Com experiment. Sorry.)
Good writers know that you can say too much in a story. Rather than spend page after page in a book to describe a character, good writers will pick something simple to do the job such as, “He put on the same pair of boots and spurs his dad gave him in college.” It’s a cowboy. Simple.
The same can be true in photography. When photography is practiced at the highest levels, it serves as a means to tell a story. And sometimes, all you need to tell the story is one or two details.
Take this photo for instance. The picture above is from a shoot I did with my Jaguar XK convertible. And yes, I do have pictures of the entire car. But this one is one of my favorites. It just shows the front left quarter panel. But it’s obvious it’s a Jaguar and it’s obviously a convertible so people who know Jags know it’s an XK.
Sometimes it’s best to tease the audience. Just give them a tidbit. Pique their interest. Give them something to look at that engages their mind. Try it. It’s fun and challenging and rewarding and if you can figure out how to do it well, you will become a top-flight photographer.
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Photofocus Podcast May 25 Edition
NOTE NOTE NOTE NOTE NOTE: The Photofocus Podcast Feed HAS CHANGED!
Here is the new feed: feed://feeds.feedburner.com/photofocuspodcast
PLEASE BE PATIENT – OUR SERVERS SEE LARGE LOADS ON PUBLISHING DAYS. THE DOWNLOADS MAY GO SLOWLY BUT THEY WILL FINISH.
Sorry we’re no longer providing show notes.
Hosted by Rich Harrington & Scott Bourne
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RuckStrap Camera Strap by HoldFast – Mini Review
There are a ton of camera straps out there and most of them are identical. Black, soulless, cheap and a burn on your neck. A company called HoldFast, LLC is out to change that.
I recently procured one of their RuckStraps and I have to say right out of the box it’s nothing like any other camera strap I’ve ever used. The company founder told me it came about because he didn’t like carrying things in his pocket, so he designed a camera strap that could carry everything you might need for a day shoot, credit cards, ID, cash, memory cards, batteries, film rolls, even a place for sunglasses and/or pen.
It comes in lots of colors. I got the navy one. There are pouches that snap shut along with a place to put camera batteries, etc.
This is an American-made, hand-made product. It’s a perfect example of what can happen when someone who finds a real problem tries to solve it. The result is brilliant. The strap is very sturdy, yet very comfortable. It’s lightweight and after carrying my camera around my neck all day I don’t feel tired. It’s a wide strap and it distributes the load of the camera well.
Matthew Swaggart makes other products for photographers of interest. You can find all of them at http://holdfastgear.com. The Ruck Strap will start shipping in six weeks for $135. You can get on the mailing list to be notified when its ready. I guarantee you it’s worth the wait and the money. Some of you will think this is too much money for a camera strap. It’s not if you want the best quality camera strap in existence.
Highly recommended.
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Google+ Photo Conference First Blush
Scott Kelby and gang have launched the first ever Google+ Photographers Conference in San Francisco. I was invited to attend by the Kelby Media Group and am grateful for the invitation.
With the basics out of the way, I’ll say that I am not a speaker here and it’s been almost 15 years since I’ve been to a photo-related conference without being a speaker, organizer, etc. That’s been both fun, refreshing and odd for me. It’s been great not having any responsibilities but it’s also been odd not having any responsibilities.
Looking at the crowd that the conference has drawn, I can see that I would have been a bad choice as a speaker here. The crowd was very young, very hip, very cool and very San Francisco chic – and I am none of these things. I don’t fit in much. I’m very old, not very hip, haven’t been cool since Jethro Tull was together and any kind of “chic” would be the last word you’d use to describe me. That said, I think this group has something it can teach me. But I also think it says something about Google+ and it’s something I want to talk about in this post.
These young people have grown up with technology and something like Google+ is just perfect for them. By listening (not just to the speakers – but the audience) I’ve found that there is a willingness by these folks to share things I never would have thought to share. For instance one woman talked about how she liked to use Google+ to have people watch her post-process her photos and give her suggestions. Most of the younger people in the audience got very excited about this. Most of the people my age looked on in horror. There is such a thing as a bad fit and I came to this conference to see if Google+ can fit in my workflow. So far I am not sure, but let’s talk more about the conference while I make up my mind.
The sessions so far have been informal, fun and informative. There have been a variety of approaches provided and discussed which I think is a good thing.
Before the official start of the conference there were half a dozen photo walks around the Bay area for participants and a lovely reception and art show at the Temple – a local watering hole. The networking at the reception was amazing and worth the trip. The next thing scheduled was the keynote on the official first day of the conference.
The Keynote featured Scott Kelby and Bradley Horowitz, a VP at Google. While Mr. Horowitz impressed me as one of the most intelligent people I’ve ever heard speak, I think his opinion of Google’s dealings with photographers differs from mine. Google won an important court case giving it the right to use all the photographs online to make money in the form of returning them as thumbnails in search without compensating the photographers or gaining their permission. That turned into Mr. Horovitz re-writing history saying “Google has a long history of respecting photographers’ work and rights.”
That aside, the man had some things to say that mattered including where he sees photos on Google going. He intimated that there might be more to Picassa (as in they might develop something that competes with Lightroom and Aperture) and that an iPad app for Google+ may be in the works. Despite what I think about Google and their treatment of photographers, I left the keynote thinking that Mr. Horovitz is passionate about what he does and that many at Google are.
After the keynote, the conference broke down into several tracks and sessions. I wish I could have attended them all, but those I did attend (Trey Ratcliff & RC Concepcion on Hangout – Guy Kawasaki on branding, etc.) were very helpful.
There are a few vendors at the show but there’s no “trade show” per se. It’s very laid back. My pals at SmugMug are official sponsors and the guys from Viewbug and BorrowLenses are also in the house as guests. Other than the aforementioned, the people who are here seem more like the typical computer show crowd than photo conference crowd, but I have had several chances to get to meet people I really respect and admire like Michael Frye and Lindsay Adler.
While the conference continues today and wraps up this afternoon, the jury on Google+ is still out for me personally. What’s not in dispute is that Kelby and Company run a first-rate program. Everything has been well-coordinated, there’s lots to do, nobody seemed unhappy and no matter what I decide to do with or about Google+ I am glad Scott put the conference together. He and his crack staff have done a superb job and nobody can deny it’s a great show. I think it’s been beneficial to many in the sold-out audience. Even if that benefit ends up being that folks decide to move on to other social media tools.
Before I decide I’m going to try a couple of hangouts so stay tuned here at Photofocus for more information and if you’re really interested – “circle me” on Google+
Also – if you’re at the conference, at 4:15 pm today I’ll be meeting people in the park next to the amphitheater to show them the new Nikon D800E – this is an amazing camera when it comes to recording detail. My pals at Borrowlenses.com are hooking me up so bring your memory card and come take a few shots with this hard-to-find beast.
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Guest Post by Rich Harrington - Follow Rich on Twitter
Rich offers a tutorial on cropping within the latest version of Adobe ACR
DISCLAIMER: This post isn’t intended to be definitive – we’re not claiming this is the ONLY way or even the BEST way to accomplish this task in Photoshop, Aperture, iPhoto or any other post-prodcessing program. We’re merely offering it as A way you might accomplish this task. These tips are free, offered only because they might be helpful to someone.
_______
This Post Sponsored by:
Viewbug - Fun Photo Contests
Kelby Training - Use code KTSBA12 to save $20
BorrowLenses.com - Renting Canon, Nikon, Olympus & Sony, bodies, lenses, etc.
SmugMug - Professional Photo Sharing
Digital SLR Store - Cameras, lenses, accessories and everything else.














