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New Camera? Want RAW Support In Adobe Camera Raw? You Don’t Have to Wait.

Posted by Richard Harrington on May 21, 2013
Posted in: News. Tagged: ACR, Adobe, Camera Raw, RAW.

acr81

A lot of folks don’t know that Adobe often releases software early as part of its Adobe Labs program. Here you’ll find “prerelease” candidates which simply means software that every thinks is good enough to ship but they want to test a little longer.

A new version of Adobe Camera Raw was released — version 8.1. It is a beta version and will work until June 30, 2013.

Here’s what’s new

  • Using a retina display? HiDPI capable monitors are supported.
  • New Camera support
  • New lens profiles for automatic lens correction.
  • A new DNG Converter to reprocess raw files to a lossless format.

New Camera Support

  • Hasselblad H5D-60
  • Olympus PEN E-P5
  • Olympus PEN E-PL6
  • Phase One IQ260
  • Pentax Ricoh GR
  • Panasonic LUMIX DMC-G6
  • Panasonic LUMIX DMC-LF1

New Lens Profiles

Canon PowerShot G1 X Canon
Canon PowerShot G15 Canon
Hasselblad HCD 4.8/24 Hasselblad
NIKON COOLPIX A Nikon
NIKON COOLPIX P330 Nikon
Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR Nikon
HD PENTAX-D FA645 MACRO 90mm F2.8ED AW SR Pentax
HD PENTAX-DA 560mm F5.6ED AW Pentax
SIGMA 30mm F1.4 DC HSM A013 Canon
SIGMA 17-70mm F2.8-4 DC MACRO OS HSM C013 Nikon
SIGMA 19mm F2.8 DN A013 Olympus
SIGMA 30mm F2.8 DN A013 Olympus
SIGMA 30mm F1.4 DC HSM A013 Sigma
SIGMA 19mm F2.8 DN A013 Sony
SIGMA 30mm F2.8 DN A013 Sony

Download the Camera Raw 8.1 release candidate

_______

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lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/ Photofocus.

The HDR Learning Center Check out new ways to use High Dynamic Range photography to make compelling images. Free tutorials and posts to get results. Produced in partnership with HDR Soft.

Mosaic — A complete solution for photographers using Lightroom who want to manage and share their photos. You can easily view images with their iOS app or web service. Plus your photos are backed up to the cloud with several plans to match your needs.

Gigapan.com. The revolutionary GigaPan EPIC robotic camera mount lets you capture and combine thousands of images into one incredible, interactive panorama. Save 10% with the code PHOTOFOCUS.

Drobo - Not only is Drobo 5D fast, but it’s easy-to-use, expandable, flexible, and protected.

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A Few Considerations When Choosing Raw over JPEG

Posted by Richard Harrington on May 21, 2013
Posted in: HDR, Opinion, Technique & Tutorials. Tagged: HDR, JPEG, panoramic, Photofocus, RAW, rich harrington.

I wanted to share a few points on why I choose to shoot raw for 95% of my workflow. I still encounter many users who are afraid to make the switch to raw, so I offer these considerations to help you decide what’s right for you.

The image on the left is how the camera captured a JPEG. Making adjustments to the image is possible, but will lead to more degradation in image quality. The image on the right is a properly developed raw file. Working with raw files gives you access to greater control over an image.

The image on the left is how the camera captured a JPEG. Making adjustments to the image is possible, but will lead to more degradation in image quality. The image on the right is a properly developed raw file. Working with raw files gives you access to greater control over an image.
  • Memory cards used to be expensive. Photographers could not afford multiple or high-capacity cards, so they wanted more images to fit on a single, smaller card. This is not the case any more for almost all users. Cards have gotten dirt cheap.
  • JPEGS are small. Internet connections can be slow… that’s why JPEG files were popularized. JPEGs are meant to post to websites and send via email. Make a JPEG after you develop your high-quality file.
  • Small is not best. A distribution format like JPEG (one that’s easy to email) doesn’t mean it’s a good authoring format to capture your photographic vision. A JPEG file looks for areas where pixel detail is repeated, such as the color white on every key of your computer keyboard. The file then discards repeated information and tells the computer to repeat certain color values or data to re-create the image. The drawback is that a JPEG file is lossy, so every time you modify it and re-save, additional compression is applied to the image
  • More info means more options. Raw (or native) formats have several benefits over shooting to JPEG. The images are usually captured at a higher bit depth, which means that the pixels contain more information about the color values in the image. Most raw files have a depth of 10, 12, or even 16-bits per channel instead of the 8 used by JPEG. This raw format also has a greater tonal range, resulting in better exposure for shadows and highlights.
  • Almost everything works with raw. Whether you use iPhoto, Aperture, Photoshop Elements, Lightroom, Photoshop, Photomatix, Nik, or more… they all support raw files. Most cameras work with most software tools. You already own the tool set, why not use them?
  • Get better exposure, sharpening and contrast. While your camera may contain settings for sharpness, exposure, or lighting conditions, the raw file stores that info as modifiable information and captures the original (unmodified) data that came through your camera’s sensors.
  • Advanced photography works better. Want to shoot HDR or Panoramic images? The use of raw makes it easier to blend images together. You’ll get better looking results by feeding in more information to start.

Be sure to get the most from your camera. If it shoots raw, use it. If you really want JPEGs out of camera, you can shoot Raw+JPEG and simply write both to the card.

_______

This Post Sponsored by:

lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/ Photofocus.

The HDR Learning Center Check out new ways to use High Dynamic Range photography to make compelling images. Free tutorials and posts to get results. Produced in partnership with HDR Soft.

Mosaic — A complete solution for photographers using Lightroom who want to manage and share their photos. You can easily view images with their iOS app or web service. Plus your photos are backed up to the cloud with several plans to match your needs.

Gigapan.com. The revolutionary GigaPan EPIC robotic camera mount lets you capture and combine thousands of images into one incredible, interactive panorama. Save 10% with the code PHOTOFOCUS.

Drobo - Not only is Drobo 5D fast, but it’s easy-to-use, expandable, flexible, and protected.

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Photography & The Cloud (NOT Creative Cloud)

Posted by scottbourne on May 20, 2013
Posted in: Opinion. Tagged: social media and photography.

Screen Shot 2013-05-18 at 3.53.22 PM

Guest Post by Gerard Murphy – Follow Gerard on Twitter

We live in the iTunes era for photography. We are moving into the mobile era. This is changing as quickly as music did after iTunes came into the market.

Photography needs to take the same path as music took more than 10 years ago. Steve Jobs announced the iPod on October 23, 2001.

I remember those early days. I was obsessed with my new toy. My wife actually made me a mix CD called “Too Cool For Your iPod.” She didn’t get that the mixed CD was essentially dead the moment I got the iPod. Similarly, when she got her first iPod she manually pushed 30 songs to it. I asked her if she wanted to me to sync her whole library. She said “No, why would I will just listen to these song and put more on later.”

This story isn’t to pick on my wife (who I love dearly). This seemed to be a common reaction for those of us that grew up with mixed tapes and then mixed CDs. So much as changed since iPods, iPhones, iPads, Dropbox and iCloud came into our lives. We now demand access to everything, at all times. We want this without plugging in devices and without thinking about it.

Strangely, photography hasn’t joined this revolution. We take photos off our DSLR and put them into Lightroom, Bridge or Aperture. That’s mostly where they stay. We are content with this because we don’t know another world. (I wasn’t frustrated with mixed CDs either.)

We push individual photos up to Facebook, Twitter, Google Plus and 500px. This makes sense. We don’t want to share everything. But this is where we go to access our own stuff from our mobile devices.

But we personally don’t have instant, automatic access to the things we don’t share. For professionals, we push our clients work manually to our iPads or to website galleries (or even email them pictures!). This process really hasn’t changed since SmugMug launched in 2002.

It’s time for photography to follow every other industry to the cloud. Companies like mine (Mosaic) are helping to usher in this era. By connecting Lightroom to the cloud and giving people access to their entire photo collection from anywhere, we are ushering in the mobile era for photography. This is the era where we aren’t tied to our laptops. The line between devices becomes blurred because we connect through the web to our stuff which looks the same everywhere.

What’s next? All of the existing photo management platforms exist solely on the desktop. This is just like iTunes. What’s one of the hottest platforms in music? Spotify. No desktop software. Cloud access to everything with embedded social features. Photo management needs to become a SaaS (Software-as-a-Service) Platform because desktop software is going the way of the mixed CD.

This Post Sponsored by:

lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/ Photofocus.

The HDR Learning Center Check out new ways to use High Dynamic Range photography to make compelling images.  Free tutorials and posts to get results. Produced in partnership with HDR Soft.

Mosaic — A complete solution for photographers using Lightroom who want to manage and share their photos.  You can easily view images with their iOS app or web service.  Plus your photos are backed up to the cloud with several plans to match your needs.

Gigapan.com. The revolutionary GigaPan EPIC robotic camera mount lets you capture and combine thousands of images into one incredible, interactive panorama. Save 10% with the code PHOTOFOCUS.

Drobo - Not only is Drobo 5D fast, but it’s easy-to-use, expandable, flexible, and protected.

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10 Money Saving Tips For Photographers

Posted by scottbourne on May 19, 2013
Posted in: Technique & Tutorials. Tagged: 10 Money Saving Tips For Photographers.
Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons - Olympus OMD

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

I hear it every week. People want to find ways to save money on their photo hobby. While the economy is on a rebound and things are improving, I know it’s still tough for some of you. So here are some tips that might help you get more out of photography without breaking the bank.

1. Buy used. Photographic gear depreciates quickly. There are many reputable camera dealers who specialize in or offer used gear. All the big New York camera stores have a significant used gear department. Your local store may also have used gear. There are brokers like KEH which have a very good reputation in the used market. And then there’s always Craig’s List – which requires a little more care (to make sure you’re getting what you pay for) but there are plenty of options. If you buy an older, but high-quality piece of fast glass used, you’ll end up with great image quality at a reduced price.

2. Buy refurbished products. I’ve found some very good deals from Canon in particular on refurbished products. Most of the big camera stores offer refurbished items. These are returns that have been checked and restocked and are sold with a warranty in most cases. Many of the manufacturers also have refurbished items available for sale on their web sites. This can save you 15-20% and still give you a like-new item.

3. Buy gear that matches what your friends have and form a swap club. Agree that you will loan lenses and flashes, etc. in return for the same option. Maybe you buy the 70-200 and your pal buys the 400. You don’t need the 70-200 every day and he doesn’t need the 400 every day and since you have the same system, you swap. It’s a fun and safe way to use lots of gear without having to own it.

4. Rent. If you’re only an occasional shooter, then why buy? I know a guy who photographs birds once or twice a year. He bought a $14,000 telephoto lens that will be used 20 times maybe before he dies. He could have rented that same lens and kept most of his money in his pocket. All the big camera stores have rental departments and that is always my first choice. That way you can examine the gear you are renting before you walk out the door to make sure it’s up to snuff. There are half a dozen online rental companies. Some of these are better than others. Be sure to ask about how new a particular item is before you rent it and ask lots of detailed questions about the item’s condition. I recently rented a slider that was utterly useless because the tracks were all dinged up and the camera wouldn’t move smoothly across the rail. As long as you ask lots of questions, you should be fine.

5. Use the Internet. There are tons of how-to/DIY You Tube videos on how to make studio gear or get more out of what you have. There are several good blogs. My favorite DIY blog is Larry Becker’s Cheap Shots – http://larryscheapshots.com. Larry works for Kelby Media and is a great guy, who’s come up with some neat stuff.

6. One of the easiest ways to save money in photography is to get the most out of what you have. I seriously doubt that five percent of you reading this are utterly familiar with all your gear. You are probably using about 10% of its capacity. Before plopping down extra cash to get the next great thing, read and re-read your manuals for the gear you own. Practice with it. Scour online resources provided by your camera/lens manufacturer. Chances are you can do things with your current gear you didn’t even know you could do.

7. Save money on photo workshops and conferences by offering to volunteer in return for free admission. Sure, you have to work for your beans, but even if you only end up getting to attend a few sessions or are working in a session as a volunteer, you’re getting free info and getting exposure to other photographers for great networking opportunity.

8. Offer to assist a photographer you admire – for free. While most working pros already have assistants on staff, they can always use one more hand and you could be that hand. Then do what they ask, shut up and listen. You’ll end up with a free photo education and real-world working experience that puts you in front of your competition.

9. Learn to prioritize. I mean prioritize everything. There’s the obvious…. Prioritize gear purchases (Lenses over bodies, etc.) Prioritize your time. Prioritize your education. If photography is truly important to you, then maybe you could give up 15 Lattes a week in return for better gear or training.

10. Use friends, family as models rather than hiring pros. Learn how to do makeup and save money on makeup-artists. Find aspiring models and offer to trade prints for modeling to save modeling fees.

Everything costs something. There is even a cost to doing things on the cheap. Sometimes you do in fact sacrifice quality. But if you’re just learning or testing or experimenting, what does it matter if it’s only 95% of what it could be? When you get to the point where you are ready for prime time you can spend the money the pros do. And you’ll have it to spend because you used these tips.

_______ 

This Post Sponsored by:

lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/ Photofocus.

The HDR Learning Center Check out new ways to use High Dynamic Range photography to make compelling images.  Free tutorials and posts to get results. Produced in partnership with HDR Soft.

Mosaic — A complete solution for photographers using Lightroom who want to manage and share their photos.  You can easily view images with their iOS app or web service.  Plus your photos are backed up to the cloud with several plans to match your needs.

Gigapan.com. The revolutionary GigaPan EPIC robotic camera mount lets you capture and combine thousands of images into one incredible, interactive panorama. Save 10% with the code PHOTOFOCUS.

Drobo - Not only is Drobo 5D fast, but it’s easy-to-use, expandable, flexible, and protected.

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Vulture Equipment Works A4 Camera/Equipment Strap — Mini Review

Posted by Richard Harrington on May 18, 2013
Posted in: Reviews. Tagged: A4 Strap, camera strap, gear, Rigging, Vulture Equipment Works.

rigging_11-1

You might be wondering why I’m about to spend so many words on a review for a camera strap.  Some of you are perfectly content to use the small strap the manufacturer tosses in the box or pick up a slightly better one at your local camera store.  Well, let me bring up an old adage… “a chain is only as strong as its weakest link.”

I get nervous hanging a few thousand dollars over my neck or shoulder.  Especially since I’m the type of shooter who has to often juggle other things (additional gear, multiple bodies, small children).  Toss in the fact that my shoulders are much closer in width to a linebacker than a male model and you’ll quickly see how most straps make me feel uncomfortable with a camera hanging in a weird spot (with little stability).

Enter the Vulture Equipment Works.  I met the company’s founder at Skip Cohen University.  He seemed super passionate about his product and told me how he was inspired while sky diving in a plane.  He looked at the military plane he was on as well as the  special ops jump rigs.  Essentially, if the materials used were good enough to secure the top grade equipment and lives of military personnel, he thought they’d make an excellent camera strap.

part designations

So, while it may seem a little like overkill at first, here are some of the highlights of the strap system:

  • The webbing material matches what’s used in parachute straps.  Designed to hold hundreds of pounds with tons of force applied.
  • The carabiner clips are easy to attach and remove, but impossible to accidentally detach.
  • The adjustable strap system is comfortable for people of all sizes.
  • The camera attaches with secure webbing and a multiple lock type system.
  • The strap is large enough that you can adjust its length to turn it into a car rig or mount the camera to other pieces of grip gear.

I saw the inventor swinging full DSLR rigs over his head like a rodeo cowboy.  The system is just that rock solid.  If you’re looking for what I believe to be the finest strap you can buy, check out the Vulture Equipment Works.  The product is a premium priced item, but think of how many thousands of dollars you have hanging on the other end.

Highly recommended.

_______ 

This Post Sponsored by:

lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/ Photofocus.

The HDR Learning Center Check out new ways to use High Dynamic Range photography to make compelling images.  Free tutorials and posts to get results. Produced in partnership with HDR Soft.

Mosaic — A complete solution for photographers using Lightroom who want to manage and share their photos.  You can easily view images with their iOS app or web service.  Plus your photos are backed up to the cloud with several plans to match your needs.

Gigapan.com. The revolutionary GigaPan EPIC robotic camera mount lets you capture and combine thousands of images into one incredible, interactive panorama. Save 10% with the code PHOTOFOCUS.

Drobo - Not only is Drobo 5D fast, but it’s easy-to-use, expandable, flexible, and protected.

 

 

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iPhoto Tutorial: How To Use The Saturation Control To Improve a Washed-out Photo

Posted by Richard Harrington on May 17, 2013
Posted in: Screencast. Tagged: Apple, iPhoto. Leave a Comment

A few readers have asked for some Apple oriented tutorials…  and I’d like to oblige.  I’m actually a big fan of iPhoto as a great tool for emerging photographers and hobbyists (and yes I like Photoshop Elements for the same reason).  Here is a short excerpt from a Lynda.com class I worked on.  Let me know if you’d like to see more.

This iPhoto tutorial shows how to improve an overexposed or washed out image with the Saturation control.   The amount of saturation you use is very subjective, but consider pairing it with the Definition slider.

_______ 

This Post Sponsored by:

lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/ Photofocus.

The HDR Learning Center Check out new ways to use High Dynamic Range photography to make compelling images.  Free tutorials and posts to get results. Produced in partnership with HDR Soft.

Mosaic — A complete solution for photographers using Lightroom who want to manage and share their photos.  You can easily view images with their iOS app or web service.  Plus your photos are backed up to the cloud with several plans to match your needs.

Gigapan.com. The revolutionary GigaPan EPIC robotic camera mount lets you capture and combine thousands of images into one incredible, interactive panorama. Save 10% with the code PHOTOFOCUS.

Drobo - Not only is Drobo 5D fast, but it’s easy-to-use, expandable, flexible, and protected.

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Think Tank Mirrorless Collection – 30i Bag – Mini Review

Posted by scottbourne on May 17, 2013
Posted in: Reviews. Tagged: Think Tank Mirrorless Collection - 30i Bag - Mini Review.

Mirrorless-Mover-30i-2

We’re big fans of ThinkTank bags here at Photofocus. They make bags that are designed by photographers for photographers. I’ve never seen one of their bags I don’t like. But when I heard about their new line of bags designed for mirrorless cameras, I was excited to get my hands on one.

I picked the Think Tank Mirrorless Mover 30i Bag, which is the largest of the series. It will hold an iPad or other similarly-sized tablet and one medium to large size mirrorless body plus two to four lenses, and additional accessories or a small–size DSLR and one to three small telephoto lenses or primes. It is sized for the Fuji X–Pro 1, Leica M8, Panasonic GH3 or similar sized/smaller bodies. Small DSLRs: Canon Rebel, Nikon D3200/D5200, Sony SLT–A55/A37 or similar sized bodies.

As usual the bag is meticulously made, with top-shelf materials. It is very configurable and has a built-in rain cover. It can be worn on your belt or you can use the comfortable strap that comes with the bag.

As usual the zippers are incredibly well made and the whole bag just feels good in your hands.

At $69.95 it may seem expensive since it’s really quite small, but if you know the typical strength, quality and utility of ThinkTank bags you’ll understand that this is a good value.

The only feature I don’t understand about this bag is the magnetic closure. Which is a neat idea but it appears to be facing backwards.

In any event, there are lots of little places to put batteries, chargers, memory cards, cleaning cloths, blowers and more.

My favorite feature is the built-in tablet carry slot. I can see myself more and more just going with this one small bag and the Fuji X100s, iPad or my Olympus OMD body with several lenses and the iPad. It’s a dream come true for those who want to travel light, but still have the protection for their gear they need.

As an avid mirror-less supporter I applaud ThinkTank for coming up with a solution that works.

Highly recommended.

______

This Post Sponsored by:

lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/ Photofocus.

The HDR Learning Center Check out new ways to use High Dynamic Range photography to make compelling images. Free tutorials and posts to get results. Produced in partnership with HDR Soft.

Mosaic — A complete solution for photographers using Lightroom who want to manage and share their photos. You can easily view images with their iOS app or web service. Plus your photos are backed up to the cloud with several plans to match your needs.

Gigapan.com. The revolutionary GigaPan EPIC robotic camera mount lets you capture and combine thousands of images into one incredible, interactive panorama. Save 10% with the code PHOTOFOCUS.

Drobo - Not only is Drobo 5D fast, but it’s easy-to-use, expandable, flexible, and protected.

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