Contrast is King: Quick Tip for Autumn Colors
Nikon D800, 50mm f/1.4 D lens, f/11, 0.4-1.6s, ISO 100, finished in Photomatix Pro and Lightroom 5 I’ve taken Rich Harrington’s advice and read The
Nikon D800, 50mm f/1.4 D lens, f/11, 0.4-1.6s, ISO 100, finished in Photomatix Pro and Lightroom 5 I’ve taken Rich Harrington’s advice and read The
Lightroom’s Spot Removal tool has always been so handy, allowing me to do most of my touchups without another application. Well, with the latest 5.2
We’re excited to invite you to our first Google+ hangout this Thursday. Here is the URL for the event (be sure to signup for the
We’ll be holding our first Google+ hangout on Thursday, October 3. This will be a chance to hangout with some of the Photofocus team live.
28mm, f/8, 1/20, 1/80, 1/320s, ISO 800. Do you ever get a craving to go make a picture? An urge that just won’t go away?
Trey Ratcliff has made a tremendous impact with HDR photography. In this talk he addresses how technology has changed the way we create awareness, connect
In this week’s feature, I had the privilege of chatting with the talented Mr. Joel Grimes. He’s one of my favorite photographers and one of
This week’s show is a triple scoop of goodness. We’ve got three interviews to satisfy your creative, technical, and business needs. Join hosts Rich Harrington and Melissa Niu for interviews with important thought leaders.
First up, Rich talks with Tamara Lackey who is a professional photographer, speaker, and author. She focusses on lifestyle photography, from children’s portraits to celebrity portraits.
On a recent trip to Costa Rica, I set out to capture a great waterfall image. The problem is that no one exposure would do
There are lots of times a tripod comes in handy. Of course you might not have one on hand when you need it most. Here
Here is the new podcast feed: feed://feeds.feedburner.com/photofocuspodcast Get the show here or get it on iTunes Rich Harrington has two great guests on the show
I’m a big fan of HDR photography (so is Scott). HDR unlocks shots that we just can’t get otherwise (especially with challenging lighting situations). But