Fearless Full Sun Shooting
Shooting in the full midday sun can present creative challenges to any photographer. The high position and brightness of the sun projects an even downward
Shooting in the full midday sun can present creative challenges to any photographer. The high position and brightness of the sun projects an even downward
As someone who learned photography in the Age of Analog, I often find myself cringing when I see those who have only ever known digital,
We know that not all of you could attend live, but boy did you miss a great Google Hangout this month. Hosts Rob Sylvan and
Nikon D800, 28-300mm f/3.5-5.6 VR lens @ 170mm, f/9, 1/200s, ISO 200. As you’ll see in the video below, the finishing touches for a black
Nikon D7000, 85mm f/1.8 D lens, f/5.6, 1/125s, ISO 400. Great black and white images require more than simply removing the color, and Lightroom 5
Nikon D800, 70-200mm f/2.8 VRII lens @155mm, f/10, 1/125s, ISO 200, finished in Lightroom 5 How do you know which images will look good as
There are so many ways to convert your color photo to black and white. But today, I’m going to show you a few of my
Every weekend we spotlight a photographer who’s work has impacted the industry. Diane Arbus (19231971) was an American photographer and writer. Her specialty was black
There was a time all photos were made in black & white. Even when I started my days of photojournalism, we primarily shot, developed, and
Rich Harrington has two special guests on this week’s show. We’re joined by Dave Wilson, a freelance art photographer from Texas. Dave shares his approach
[youtube=http://www.youtube.com/watch?v=hsflkSKSun4&feature=player_embedded] A few readers have asked for some Apple oriented tutorials… and I’d like to oblige. I’m actually a big fan of iPhoto as a