Scrim for Lighting Detail
Its a beautiful sunny day, you’re shooting indoors looking out to a sliding glass door or window and its brighter outside than on your set.
Its a beautiful sunny day, you’re shooting indoors looking out to a sliding glass door or window and its brighter outside than on your set.
A great way to challenge yourself and enhance your skills is to shoot some personal projects. Here is an opportunity to stretch your imagination. Building
What started out as a quick 36-hour trip to Pittsburgh turned into a full-scale video production to help out a friend of mine with a shoot. Luckily for me I was traveling as a one-man band and because I’m flexible, I was able to gain a new client.
This week we catch up with a photographer and a Lightroom expert. First Pamela Berry talks with photographer and music video producer Chris Horseman. Then
Media professionals can all relate to the long production day. Whether you’re a landscape photographer waking up at zero dark thirty to capture the first light or a wedding photographer shooting from bridal prep straight through to the reception, we’ve all had those days. In the video world, I’ve had my share of long production days, especially when they’re back to back.
Here is a great economical way to soften your light. They’re China Balls: These were used on the set of Grey’s Anatomy. You can buy
There’s a rule about having numbers or letters in a shot, “Your eyes will always go to the letters and numbers first to see what
Melissa Niu of Photofocus and Chase Reynolds of LensRentals.com talk with commercial photographer Joe McNally about shooting Nikon cameras since 1973 and what his favorite camera has been.
In the first part of my thoughts on aesthetic judgments I introduced the first two considerations on my list of five that inform my work.
Melissa Niu of Photofocus and Chase Reynolds of LensRentals.com talk with commercial photographer Joe McNally about what he would consider an overkill camera, even if it’s the right camera for the job.
What’s in your bag? Do you really think that the cameras and lenses that are in my bag are going to get you my job?
I’m a huge advocate of creating depth in a photograph. One of the ways is to use a back light or at times referred to