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Tension relief: Pay attention to the edges of your image

Steve Eilenberg 08/09/2018 6

Paying attention to the corners and edges of a photograph can relieve distracting visual tension. Visual tension can be good or bad. The tension I’m referring to is the nagging and irresistible pull on your eyeball away from the subject to undesirable and distracting features. Not invariably, but often, these reside in the corners and edges. This response is hardwired and not learned, so we all experience it.

Here are some on-location tricks I use to mitigate visual tension:

  1. I use a tripod. It slows me down and allows me to really look, from corner to corner.
  2. I use a Hoodman loupe to carefully inspect the scene on the camera’s LCD screen.
  3. If I see a distraction, I consider moving the object (for instance, trash or a dead branch) or moving my tripod.
  4. If using a zoom lens, I consider framing it differently.

At times, I either didn’t notice the distraction or couldn’t avoid it. This is where I implement plan B in post-processing:

  1. I consider deleting the image.
  2. I might crop the image to eliminate the distraction.
  3. I try to mitigate it with either a bright or a dark vignette.
  4. Alternatively, I may try a healing or cloning brush in Lightroom or use the spot healing content aware tool in Photoshop to eliminate it.
  5. I remind myself that the world and my photographs can’t and shouldn’t be perfect and consider which distractions stay or go.
  6. These actions are done nondestructively and I always have the original RAW file if I’ve gone too far.
  7. Finally, I revisit the original and processed images at a later time to make sure it was the photograph and not me that was the problem.
Chinstrap penguin pair in a snowstorm — Antarctica Peninsula. The rock in the lower right corner is too small a feature, too close to the flipper and distracting. It creates bad visual tension.
The rock in the lower left corner has been removed using a cloning tool in Photoshop. Time investment was less than two minutes.
Golden Pavilion — Kinkaku-ji, in Kyoto

Not everything in the periphery is detrimental and some features can be compositional assets. The image below includes branches from unseen trees. They help frame the image and put the viewer into the scene. These branches are not dominant and do not draw unwanted attention. The leaves towards the bottom right are only partially seen and have no compositional or contextual purpose and distract.

I could have cropped the leaves out but chose instead to use the Content-Aware Spot Healing Brush tool in Photoshop. Total time invested is less than 15 seconds.

Arctic Tern — Svalbard, Norway. The bird and the wing wash were the subjects, not the strip of sand at the bottom or the rock at the lower right.
I used a positive edge vignette to calm the edges and frame the subject to better advantage.
Bull sharks and pilot fish — Fiji (with one unwanted stripped snapper and other edge/corner distractions)
With a combination of cloning and content aware spot-healing in Photoshop, the image is still lively and eyes are directed to the action. Partially visualized sharks and fish have been eliminated from the corners.

To summarize, check your edges carefully.  In general, peripheral elements should be either fully in (included with intent) or possibly, completely eliminated, if they pull the eye away from the main subject or action. Knowing a few Lightroom or Photoshop techniques come in handy to eliminate unwanted distractions when they are unavoidable.

  • About
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Steve Eilenberg

Steve Eilenberg is a San Diego-based photographic artist, one half of Aperture Photo Arts, along with his wife, Marie Tartar. Steve’s photographic explorations extend from above (drone landscape photography) to below (underwater), and he has an affinity for street and X- ray photography.His images have been displayed at the San Diego Natural History Museum, Oceanside Museum of Art, Birch Aquarium,Smithsonian National Museum, Museum of Photographic Arts (MOPA) and Mingei International Museum. See more work at www.aperturephotoarts.com.

Latest posts by Steve Eilenberg (see all)

  • My used lens was a lemon; here’s how I made lemonade - November 7, 2018
  • Giclée by any other name: Printmaking today - August 28, 2018
  • Tension relief: Pay attention to the edges of your image - August 9, 2018

Categories: Photography Shooting Tags: animal photography Bull sharks composition Fiji Golden Pavilion Japan Kyoto Penguins sharks snow tension

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Reader Interactions

Comments

  1. Amit Mahendu says

    August 10, 2018 at 5:56 am

    I don’t think I’ve seen better than this

     
    Reply
    • Steve Eilenberg says

      August 23, 2018 at 7:35 pm

      Thanks for the kind words, Amit! – Steve

       
      Reply
  2. Govind Vijayakumar says

    August 12, 2018 at 10:52 pm

    Useful effect of Vignette. Good creativity

     
    Reply
    • Steve Eilenberg says

      August 23, 2018 at 7:35 pm

      Thank you, Govind! – Steve

       
      Reply
  3. Cynthia Brown says

    August 14, 2018 at 7:11 am

    Outstanding and comprehensive tutorial on a much neglected aspect of photographic composition! The masterstroke here is tying it to the human response of ‘tension relief’.

     
    Reply
    • Steve Eilenberg says

      August 23, 2018 at 7:34 pm

      Thank you, Cynthia! – Steve

       
      Reply

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