Guest Post by Tamara Lackey
In my last post, I explained why using a fill light, or a reflective light source, is so important for my style of photography. I find that, most of the time, a reflector will often do the trick for me when Im shooting on-location.
But the whole game can change if Im hit with a triple whammy of …
a) multiple fast-moving subjects especially when theyre moving in different directions
b) a trek-out-to location (not just a nature reserve – but sometimes the ten or so blocks away from where you barely found parking downtown!)
and
c) the Great Reflector Enemy we all know and struggle with: Wind.
In cases like these, I suggest you use your surroundings to your advantage.
- If Im in an urban setting, Ill shoot near light concrete vs. dark asphalt, bring my subjects low and let the light surface bounce light back up into my subjects faces.
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If Im at the beach, Ill bring my subjects to the shoreline and use the additional reflection from the light water pooling on the edge of the waves.
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If Im shooting a single subject, Ill use a standard white piece of heartier artboard.
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And, if all else fails, Ill wear white: a white shirt or even a pair of white pants.
Ill stand close, Ill shoot wide, and Ill so totally be the best fill I can be.