Tamron 35-150mm f/2-2.8: The perfect lens for event photographers
When the Tamron 35-150mm f/2-2.8 was announced for Sony E mount, I was needless to say, excited. I had longed for a lens that would
When the Tamron 35-150mm f/2-2.8 was announced for Sony E mount, I was needless to say, excited. I had longed for a lens that would
The Fujifilm XF 50-140mm f/2.8 R LM OIS WR is not a new lens in the Fujifilm lineup, it is however a lens that still
Earlier this year, Ricoh Pentax launched their new flagship APS-C camera, the K-3 III. Shortly after, the company announced that their new workhorse camera would
Ever since Sigma introduced its Contemporary line of lenses, I’ve been pretty intrigued. Offering a fast aperture and compact footprint, these lenses are great for
We all know a lot is riding on what OM Digital Solutions offers up in their early days as a producer of lenses and cameras.
A camera system is nothing unless it has an affordable, solid nifty fifty for photographers to grab and use. Nikon knew this and they got
The Lensbaby Sweet 80 is a quirky little lens which allows for a sweet spot of focus and the rest of gorgeous swirly blur and
I have been using the original Tamron 28-75mm Sony E-mount lens as my studio workhorse few several years now. I love it. It’s small, lightweight
Fujifilm users are spoiled for choice when it comes to fast primes for X mount cameras. Now, photographers who are fans of wide-angle lenses have
Aah, the 24-70mm lens. Or in Tamron’s case, the 28-75mm lens. While this focal length isn’t exactly cutting edge, it seems to be a necessary
It took me a long time to get used to the 35mm focal length. I know 35mm is a staple for virtually every photographer. However,
Canon’s new nifty fifty, the Canon RF 50mm f/1.8 STM, has a hard act to follow. Its older EF mount sibling, the EF 50mm f/1.8