The View Camera Aesthetic in the Digital Realm part 2
(Editor’s note: Steve Inglima continues his thorough explanation of the view camera. The first post in this series introduces the view camera. This installment shows
The gift of a Brownie 127 film camera during the ’60s inspired Steven’s quest to capture the things that mattered to him. During his 37-year photographic industry career, Steven designed and manufactured products; photographed commercially, countless weddings and social events; ran trade shows; wrote tech bulletins; and taught (e.g., Naval Air Stations, Air Force Bases, NASA, the Pentagon, and 10 Nuclear aircraft carriers—two underway at sea). His clients and employers include EPOI, Nikon, GMI photographic (Bronica, Sea&Sea, Philips), Konica Digital Cameras, Megavision digital backs, Horseman Large Format, and trade organizations (as industry advisor). From 2004-2015 Steven led the Explorers of Light program for Canon USA. Steven coordinated the sponsored activities for 80+ professional photographers/printers (lectures at trade shows, trade organizations, museums, galleries, camera clubs, etc.). The teacher in Steven enhances his students’ skills and knowledge, preparing novices and professionals to deliberately and successfully capture images that matter to them.
(Editor’s note: Steve Inglima continues his thorough explanation of the view camera. The first post in this series introduces the view camera. This installment shows
(Editor’s note: This post and the others in the series are a tour de force of technical photography using a view camera. Guest Contributor Steve Inglima