Photographer of the Day: Pierre Pichot
Category: Street Photography Photograph: “Exit” by Pierre Pichot Pierre’s image “Exit” is a great example of using lines, light, and shapes to draw your eye
Jason is a multi-genre professional photographer, instructor, writer, digital artist, and guide. He started his career as a professional wildlife and nature photographer, later expanding his expertise and portfolio to include a wide variety of subjects, skills, and styles. Everything from nature and travel, to studio and model photography.
When not writing about himself in the third person, he enjoys sunsets and long walks on the beach while carrying 40 pounds of camera gear. He can most often be found hiking up a mountain, hunting down a good burger joint, or enjoying time in the great outdoors.
Category: Street Photography Photograph: “Exit” by Pierre Pichot Pierre’s image “Exit” is a great example of using lines, light, and shapes to draw your eye
With wildlife, moments are fleeting and there are, literally, once-in-a-lifetime photo opportunities. While it is ideal to “get it right in the camera”, I also believe that while we create photos in the camera, we finish them in the digital darkroom. Some moments we capture are worth a little extra work to rescue if a mistake is made in settings or the light wasn’t quite right at the time.
In this article I’ll take you through how I process my wildlife images in the Develop Mode within ACDSee Ultimate 10 to get them looking their best, or to rescue shots that need a little extra help.
(Editor’s note: Jason is beginning a series of columns about photography for rainy days. These projects help stretch creativity and make us all better photographers
I recently put the Impact Flex Arm Super Clamp Kit through my rigorous testing process, which involves using it in a variety of photography situations, coming up with ways to put it to work getting the shots I want, and generally abusing the *bleep* out of it to see how it stands up to wear and tear. While it’s not what I think of as the usual gear for nature photographers, I found it useful for a number of my photo pursuits both indoors and out in my backyard photo studio/nature sanctuary.
Style and specialty are frequent topics I’m asked about while teaching photography, and some of the hardest areas in which to give easy answers. While I have always taken these questions seriously, answering them feels like tap-dancing through a minefield. Specialty and style are uniquely personal to each artist; concepts that emerge through an individual’s interests, personality, and experiences. Trying to offer constructive criticism while not discouraging the work and personality of the artist is a true challenge.
Spring is a busy time for wildlife photographers, chock full of photo opportunities. I’m lucky to live in an area that is on a major
Few natural phenomenon can cheer people up faster than the beauty of a rainbow. Getting great images of one is a challenge, they are difficult to predict and constantly changing, occurring due to a specific set of conditions. These tips will help you photograph rainbows when they appear, and get great results when processing your rainbow pics in the digital darkroom.
This spider web really has rainbows thanks to a complex and slightly weird combination of physics and biology. Not just iridescence, but an ever-changing rainbow
Wondering what to get the photographer on your list who has “everything?” Take a look at the Photofocus holiday gift guide for shopping ideas and
I made it a goal this year to learn something way outside of my photography comfort zone of the great outdoors. After my first plan
Usually, my articles have a lighthearted note, full of photography wit and wisdom (bite your tongue, let me cling to my illusion.) But, I’m going
A sense of dread begins to fill you as frightening words and symbols flash before your eyes. Afraid all is lost, you begin to panic…