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Not everyone wants to take the time to stitch panoramic photos. And panoramic cameras, while still available, are exceedingly rare. If you want to make panoramic photos without all the fuss – use your friend the crop tool or better yet – shoot super wide and THEN crop. The image above was shot with a […]

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panohead

One of my favorite styles of image is a panoramic photo.  Creating this type of image in Photoshop is super easy thanks to the Photomerge command.  You can take several images and combine them into a seamless panoramic image. You can use Photomerge to combine images that are tiled horizontally, vertically, or both.. Use the following steps […]

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pano-header

I love panoramic shooting.  Getting giant images that really fill the viewer’s eye. Making these images has gotten much easier with improvements in camera sensors and stitching software.  But still, a little help goes a long way.  Here are three quick tips to getting better panoramic photos. After all, sometimes it’s the little things that make […]

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bannerrpsc

NOTE NOTE NOTE NOTE NOTE: The Photofocus Podcast Feed HAS CHANGED! Here is the new feed: feed://feeds.feedburner.com/photofocuspodcast Get the show here  or get it on iTunes PLEASE BE PATIENT – OUR SERVERS SEE LARGE LOADS ON PUBLISHING DAYS. THE DOWNLOADS MAY GO SLOWLY BUT THEY WILL FINISH. Rich Harrington has two special guests on this week’s show. […]

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Subtle_HDR

I’ve put together a complete lesson on creating High Dynamic Range panoramic photos.  This video tutorial walks you through a few different tools to try out. I’ll show you how to: Organize multiple HDR photos Use Photoshop’s built-in toolset Use Adobe Camera Raw to pre-process raw files before the merge Align images and reduce noise […]

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As many explore panoramic photography, they off stop short (at least of making a full 360˚ arc). The truth is that its gotten much easier to make a fully actualized 360˚ image.  If enough photos are taken, then a large panoramic image can be made.  These photos can then be turned into an interactive panoramic for […]

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I wanted to share a few points on why I choose to shoot raw for 95% of my workflow.  I still encounter many users who are afraid to make the switch to raw, so I offer these considerations to help you decide what's right for you.

I wanted to share a few points on why I choose to shoot raw for 95% of my workflow. I still encounter many users who are afraid to make the switch to raw, so I offer these considerations to help you decide what’s right for you. The image on the left is how the camera […]

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