iPhone

All posts tagged iPhone

I am no Chase Jarvis when it comes to using my iPhone. But I do occasionally make a simple snap shot using the iPhone’s built-in camera. One thing that got me playing around more and more with the iPhone is the slew of tremendous apps available to enhance it’s camera. So here, in no particular order, are my top 10 iPhone Photo Apps…

1. BestCamera –
http://www.thebestcamera.com/app.html

2. Photo fx –
http://www.tiffen.com/photofx_homepage.html

3. CameraBag –
http://www.nevercenter.com/camerabag/iphone/

4. Camera Genius –
http://www.codegoo.com/

5. Nikon Learn & Explore –
http://www.nikonusa.com/Learn-And-Explore/Learn-And-Explore-for-the-iPhone/index.page

6. TiltShift –
http://imimux.com/tiltshift/

7. Photogene –
http://www.i-photogene.com/photogene/main.html

8. Shakeit Photo –
http://shakeitphoto.com/

9. FotoTimer –
http://www.ofzenandcomputing.com/zanswers/1534

10. Darkroom Premium –
http://www.stepcase.com/products/

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This post sponsored by the Digital SLR Store

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(EDITOR’S NOTE: Usually I rely solely on our tremendous in-house reviewer, Conrad Obregon for book reviews – which we publish every Sunday. Conrad is better at this than I am, but once in a while a book comes out that I feel the need to comment on. I assume Conrad will also review this title at a later date. Look for his reviews every weekend.)

I just had a pleasurable two hours glancing through Chase Jarvis’ brilliant little book The Best Camera Is The One That’s With You. It’s published by the New Riders Press and just came out this week.

I have to say that if you’re at all tempted to pass on this book because you heard it’s nothing but iPhone pictures, you’d be making a big mistake. There’s a great deal to learn from this book. In fact, there are so many lessons that this review couldn’t possibly do justice to them.

But in the short run, here are a few things to consider.

I often get asked how to become a better photographer. The simple answer is to look at lots of pictures. This little book is full of hundreds of photos. Plenty to look at and contemplate here. Chase has a great eye and you can learn from even his iPhone pictures. Moreover, you can learn to dump all those excuses you have for not getting out there and getting great photographs. Looking at this book will cause you to have to stop making up reasons to fail. So let’s get a checklist going.

1. I can’t shoot great photos because I don’t have a pro camera – check this one off. All these photos are made with an iPhone camera.

2. There’s nothing to shoot where I live – check this one off since Chase shows you that your everyday, mundane world is as interesting as you want to make it. With the right heart and the right eye you can make good photos anywhere with any camera.

3. I don’t have time or money to go to all the cool places that Chase goes. See number 2.

In short, this book should be important to every single serious photographer out there. It shows you how to see, what’s possible when you try to see, and what you can do with minimal equipment.

I am far from a Chase Jarvis fanboy. His style is a bit out there for an old war horse like me. But it doesn’t mean he isn’t a great photographer. He is indeed. I don’t buy or listen to rap music, but I can still recognize the gifts and talents of the rap artists. Likewise, while I am not a fan of every Chase Jarvis photo, I can and do recognize the gifts and talents he shows off in this little book and elsewhere. And even though I don’t like every photo in the book, I am pretty sure I learned something from every photo in the book and in the end, that’s what counts.

I’ve already heard a few comments about this book that might at first blush appear negative. Does this book (or one like it) get published if Chase Jarvis isn’t the author? No – not a chance – and that’s the only bad news. You have to be Chase or someone as famous as he is to get this opportunity. But it doesn’t matter. The rest of us can learn lots here. I plan to look at these photos again and again. Any time I doubt my surroundings or circumstances’ ability to provide me with a good photo opportunity, I’ll look at this book and recognize what a talented young guy did with nothing more than a cell phone camera and a good eye. Then I’ll stop dropping excuses, get off the couch and go get me some!

This is a very important little book and I am glad Chase took the time to share it with the rest of us.

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This post sponsored by the Digital SLR Store

Unedited iPhone 3GS photo

Unedited iPhone 3GS photo

Photos and post by Andy Ihnatko

EDITOR’S NOTE: You can see Andy’s entire iPhone 3GS Flickr set here.

Apple let me have an iPhone 3G S a week and a half before the release date. Here’s a whole bunch of pix I shot as I tested out the features of its new 3 megapixel variable focus camera.

The verdict? Awesome. It certainly isn’t the greatest optical hardware you can get on a phone; we’re still talking about a bead of glass perched a few molecules away from the film plane.

But the fact that you can do “spot metering” puts it among the neatest cameraphones available. Touch the part of the live image that should be properly-exposed and the Camera app will make all of its focus, exposure and white-balance decisions based on that sampling.

Bonus: by sampling from the bright, dark and middle areas of the image and taking three separate images, you can even do HDR imaging!

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Sponsored by PMA – It’s not too early to mark your calendar because this is big. For the first time in the USA, the PMA tradeshow and conference will be open to the general public – September 6-11, 2011 in Las Vegas. See you there –
http://bit.ly/9yaL2I

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For me, one of the most exciting things about the Apple iPhone 3Gs announcement at WWDC 2009 was the inclusion of a better camera. While I always thought the original iPhone camera was “good enough,” I knew it could be better. Well I was right. The new iPhone sports a three megapixel camera capable of much high-resolution images.

The camera features auto focus, auto exposure, and auto white balance. It also allows what Apple calls “Tap” focus which allows you to pick something in the scene, tap on it and the iPhone camera will focus on that point.

There are also macro and low light modes as well as photo/video geo-tagging.

The camera doubles as a video camera capable of shooting at 30 frames per second with 640×480 VGA resolution. The video camera also comes with auto focus, auto white balance, and auto exposure.

You can share video directly from the iPhone with MMS, email, MobileMe and YouTube and all of this is backed up with longer battery life.

The iPhone is already the most popular camera used on Flickr. These new improvements will no doubt solidify that position there and everywhere else.

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This post sponsored by the Digital SLR Store

Guest Post by Liana Lehua

Collage Lite – Cost: $0.99

Developer: John Moffett

Lite features: Up to 4 photos in a collage at a time. The full version of Collage includes a crop feature.

This review is of the full, paid version of Collage for iPhone on both an iPhone 3G and original iPhone 2G.

Did your mouth drop when you saw Tom Cruise interface with data in Minority Report or watched CSI’s Duquesne* and Delco* visually manipulate and analyze crime scene evidence using the iPhone-familiar pinch and expand technique – moving and re-sizing images around with the swipe of the wrist or a flick of the finger? Whether these clips from Hollywood are familiar to you or not, the were jaw-dropping awesome the first time they aired. If you think this way of interfacing with data is cool, and you’re a photographer, then wait until you learn more about Collage.

While I don’t generally use my iPhone to capture or edit images I may want to use for professional use, I definitely find the benefit of doing so with images I want to have fun with: iPhone wallpapers, Facebook posts, screen captures to share with others, to immortalize my Rock Band supremecy, for example.

To begin, I choose a color for my collage’s background and decide whether I want to work in portrait or landscape mode by holding my iPhone vertically or tilting it horizontally. Then, select an image to work with. I choose to work with one image at a time, apply any filters, and perform actions before adding another photo to my canvas. If I accidentally select the wrong image, I can delete it using the trash can icon. This can be done on any image/layer at any time. Just be careful to have the correct one highlighted. There is no “undo” command to easily bring back whatever you’ve deleted. Moving images in front of or behind others is as simple as clicking on the image. Think of this as being the same as moving an image on top of or below another image/layer.

Delete “layers” using the trash can icon. This function works on the image but does not work for deleting filters, part of the “Actions” menu. In order to change an applied Action, simply call the menu and select a different item. Clicking on the delete icon will delete the highlighted image/layer. Multiple action items can be applied.

Next, I select a filter or an action to apply.

List of Actions:
• Black and White
• Sepia
• Nudge straight
• Remove Frame
• Auto Layout
• Adjust Transparency
Continue Reading

Post by Ron Brinkmann

Cross Posted at DigitalComposting.com

I’ve been saying for a long time now that cameras need to evolve to where they’re an open computing platform. To where all of the hardware on the device can be programmatically controlled by onboard software applications. Unfortunately we haven’t seen a whole lot of movement in this area from the big camera manufacturers, other than a bit of SDK support by Canon and (finally) Nikon and some interesting but cumbersome hackish options.

I know that part of the reason for this is that the software/firmware on a camera isn’t really designed with this in mind – it’s not necessarily an easy change to develop an architecture that would support 3rd party applications. Which is why I’m starting to think that this will end up being solved in the other direction – by dedicated computing platforms that also happen to have camera capabilities. Platforms like, for instance, the iPhone. Continue Reading

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While we cover a more serious brand of photography here at This Week in Photography, as an iPhone junky and a photographer, I couldn’t help being amused by this statistic I saw on Flickr.

According to Flickr, more camera phone photos on Flickr come from an iPhone than any other camera phone, including the much heralded Nokia N95.

Flickr points out that the graphs are only accurate to the extent that we can automatically detect the camera used to take the photo or shoot the video (about 2/3rds of the time). That is not usually possible with cameraphones, therefore they are under-represented.

While this really means nothing, I found it amusing and thought you might too.

CROSS-POSTED AT APPLEPHONESHOW.COM