Editor’s Note: We’re adding regular columns at Photofocus. We’re pleased to introduce a new one from photographer Brian Matiash which will run each Tuesday. Be sure to leave a comment below about the new format and offer Brian ideas and encouragement. Enjoy! Welcome to the first installment of my new weekly series, Photo Methodology. Everyday, […]
You gotta join us live for our next Google+ Hangout, totally free of charge. Not only will you learn terrific techniques, but if you tune in live, you can be entered to win excellent prizes to help you in your work. (Note: MUST BE TUNED IN LIVE TO WIN). We kick off Wednesday 5/27, 4:00pm Eastern, 3:00pm Central, 2:00pm Mountain, and 1:00pm […]
This is an excerpt from my newest eBook, Light Stories II, which you can download for FREE on my blog. Click here to learn more. We all have our own definitions of “beauty”. The color red may be bold, beautiful, and invigorating to some, while to others it has a different meaning, feeling, or emotion (or […]
I shot this years ago, and have written about it, a bit. It was part of a huge Sports Illustrated project about defensive magicians on the baseball diamond. And of course, at that time, if you talked defense, you talked about Ozzie. The Wizard of Oz! The shortstop who looked like he played the position […]
The last time I visited Lower Antelope Canyon, near Page, AZ, was in February 2014. I had arrived with about an hour before the local Navajo operators were closing for the evening, so my time exploring the area was brief. As I was ushered out of the canyon by the diligent canyon keepers, I knew […]
I have a personal rule I follow when I travel, especially when I’m in Asia: I get an early start. Sure, I have my moments when I need to sleep in, but it’s just after sunrise when things are at their best. So this morning I woke up just before sunrise, ate breakfast, and set out on […]
Creating Lincoln’s Story is a short article on how I helped Adobe’s Dr Russell Brown get into character as I took his photo. The same tips can be used on set when dealing with an unemotional model or actor.