eagle

All posts tagged eagle

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

My last eagle trip is over. The long flight from Alaska has returned me to Vegas where I’m getting ready for NAB followed by a weekend of fun from the other side of my life – auto racing.

I wanted to share one last post about the eagle trip. I had an epiphany of sorts in Alaska. I noticed I was using the phrase “I learned” more often than usual. Then it hit me. The best way to learn something is to teach it or share it. Despite the fact that this was my 11th trip to photograph eagles, I still found myself learning more and more about the eagles and eagle photography. I learned more about myself too. In fact, I learned so much I outright surprised myself. If an old dog like me can learn a new trick, just think what that means for the rest of you.

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

I was out on one of the many sandbars we call beaches while we’re up here. The group I was leading was surrounded by eagles. I looked at their happy faces and realized this was just another day at the office for me. I’ve been very lucky to travel to these places and experience moments that most people would never imagine possible. And I’ve done this on a fairly routines basis. The wild notion that it’s just normal for half a dozen bald eagles to surround a group of excited photographers sitting on the ground was a bit mind-blowing.

Later that day I wanted to walk the beach one last time. This time, by myself. I left the group in the hands of my capable co-leader Robert O’Toole and headed out for a quick 20-minute stroll down to the end of this particular skinny stretch of land. I took in the smell of the sea-water and the fresh Alaska air. I enjoyed the rocks and sand giving way underneath my feet as I trudged up the hill where the tall grasses surround many eagle perches. I listened to my favorite sounds up here – the sound of the surf and the call of the eagles. It wasn’t sad. I thought it might be. But I am content. I’ve had my time here. It was good to get a few minutes alone. Because it helped me realize that my decision to slow down, and rest was a good one. But the walk down the beach and up the hill led to one more notable experience.

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

PATCH – Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

I rounded a corner and found an old friend from last year’s trip. Not a human mind you, but an eagle I’ve decided to call Patch. I call him Patch because he’s only got one good eye. He sat on a perch and I walked right up to him. I know he recognizes me. I find a rotting fish on the sand and push it his way. He slowly walks up to it and grabs it in his beak and squawks a little as if to say thanks. I spent more time than I planned with Patch. I photographed him for about 20 minutes. I photographed him almost every day of this trip. I had even already photographed him earlier in the day. He’s one of the tamest eagles I’ve ever met. I think it’s because he’s simply not afraid of anything. He’s a young bird and gone through so much that nothing phases him. Besides, I think he likes the attention. With nobody around I feel emboldened to talk to him. I thanked him for being such a regal subject and promised to make him famous. I swear he cocked his head at me as if I am crazy. He continued to eat as I waived goodbye and returned to the group. I know it will be my last time visiting Patch but if something happened and I changed my mind, I know where to find him. He claims this particular beach as his own. He has a rough life ahead of him. At about two years old he’s already missing an eye. But somehow I think Patch will do just fine. He’s patient.

Patience is something you have to learn to be a good eagle and a good eagle photographer. It’s something you have to learn to be a good human. For all the years I’ve come here I’ve learned that patience is the most important tool in my bag. Not the latest camera or fastest lens. Patience. Nature or wildlife photography demands it. Period.

eaglebourne2-2

Photo Courtesy Sam Andrews

So the big news is that I learned as much as I taught on this trip. The idea that I can still learn at my old age, and still commune in places like this has taught me one more thing – to be grateful. Even though I will have to rely on my photos for future memories of past experiences here, I know I am one lucky guy. I get paid to come to places like this. I get paid to make my pal Patch famous. It’s a glorious life.

The Eagle by Alfred, Lord Tennyson

He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring’d with the azure world, he stands.

The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.

______

This Post Sponsored by:

lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/​Photofocus.

Skip Cohen University Professional photo education for wedding & portrait photographers.

ThingLink offers an interactive, online photo experience like nothing you’ve seen before. Join for free.

Drobo – Not only is Drobo 5D fast, but it’s easy-to-use, expandable, flexible, and protected.

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons - Olympus OMD

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

My final Alaska eagle photography trip is close to an end. It’s been a great experience. My workshop sold out with lots of old friends in attendance. My assignments all went mostly pretty well. My hard drive is full of more amazing eagle images and lots of video.

It occurred to me that some of the questions I’ve been receiving about the trip might just as well be answered as part of the diary. So without further delay – here are some random eagle photography tips based on your questions.

1. We photograph eagles in the late winter because they congregate in confined areas near seaports looking for food. In the summer the birds are widely dispersed because there are so many food sources. In the winter, they hang out with each other in tight groups of about 120 or so in search of food.

2. The brown eagles you’ve seen in the pictures I’ve shared so far are immature bald eagles. The traditional bald eagle you may be familiar with, i.e., white head and brown or black body is an adult. It takes approximately five years for eagles to mature. From a photographic perspective, the adults are the hardest to photograph because of the wide dynamic range needed to hold detail on a white head and a black body. The immature birds have more interesting patterns on the wings, but may be hard to meter against a dark background. It’s not easy. It just looks easy.

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

3. It is possible to get very close to these eagles without baiting them. As long as you’re in an area where there is natural food like a beach or seaport, there will be eagles. We found a beach littered with dead fish and muscles and determined that during the low tides the eagles came down from the trees to feed. We set up on that beach this morning and three birds were perched nearby. By waiting, making sure the eagles are comfortable with our presence, and very slowly over a 15-minute period getting close enough to shoot, we had a half hour of photography with no bait and no problem.

4. We are able to get so close to these birds because we are not on U.S. soil. The United States has made just about anything and everything concerning eagles a crime, so we shoot from land owned by the Alaska Native Regional Corporations. The Coast Guard doesn’t like it – but there’s nothing they can do about it. We are probably more interested in protecting the birds than they are, but we also know what the actual threat of harm is and where hyperbole starts so we do as we please, but we do it with respect for the eagles. Some people don’t like it – I say tough. The images we make help make the general population aware of the birds and I believe has a positive impact on them overall.

5. Photographing eagles is an acquired skill. I’ve developed a few tricks over the years. I try to shoot shutter priority so I can freeze the wing tips in flight. This is anywhere between 1/1000th and 1/2000th of a second. Generally, 1/1500th of a seond is perfect. I try to shoot between f/6.7 and f/8. These are large birds and to get them sharp from front to back you need a little more depth of field. (Sorry to all those who practice the religion of shallow depth of field – it’s really not the only way to take a photo.)

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

6. We let the ISO act as our primary control when light changes. The shutter speed and aperture need to be reasonably constant if the birds are flying. For perched shots, I drop the shutter speed dramatically if I do want to run at lower ISOs.

7. A high-speed camera really helps. Six frames per second gives you lots of opportunity. 12 frames per second is heaven.

8. Good, fast, advanced autofocus really helps with flight shots, but when you don’t have that, manual focus works well, as long as you can pre-focus on the area where the birds will be. Anticipation is key. These skills aren’t new. Sports shooters used them for years before fast, reliable autofocus was available for film cameras.

9. Studying the birds yields the highest percentage of keepers. Once you know the bird’s behavior, you’re more likely to catch the bird where you want it.

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

10. It’s best to start focusing on a bird that’s far away when you’re attempting flight shots. Then track that bird all the way to its expected destination and stick with it. If you’re in a swarm of eagles (as we often are in Alaska) it’s tempting to try to pick them off as they fly by but very difficult to get good, clean, crisp, sharp images with good exposure.

11. Setting up a shoot like this is hard work. Sometimes the permits and insurance take months (or more) to arrange. The costs are prohibitive. We’re spending $40,000 on boat and crew alone. I’m not saying nobody else can do it, I’m just saying you need to be very committed to making it work if you’re going to invest the time and money to make the trip.

I hope this post answers most of your questions. I’ll write one more  post about this trip and then no more eagles. I promise. But I have to tell you – t’s been a blast being up here with great people, great weather and great eagles.

______

This Post Sponsored by:

lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/​Photofocus.

Skip Cohen University Professional photo education for wedding & portrait photographers.

ThingLink offers an interactive, online photo experience like nothing you’ve seen before. Join for free.

Drobo – Not only is Drobo 5D fast, but it’s easy-to-use, expandable, flexible, and protected.

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

I’ve been having a great time co-leading a workshop with my pal Robert O’Toole. We have a surprisingly superb group with many return clients from past trips. We’ve had more good weather and light than bad. Today we have more challenging conditions so it will be good to see what the students have learned.

I forgot to mention earlier that I did some smartphone photography through the plane window as we came over one of Alaska’s many glaciers. Using Trey Ratcliff’s amazing 100 Cameras in 1, I made the picture below. I was surprise by how well it turned out.

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

I’ve learned that Micro Four Thirds cameras can indeed be used to capture fast action shots. They are not as reliable in this function as say, a Nikon D3s or Canon 1DX, but it can be done. I have about an 85% keeper rate with the D3s and the 1DX. My keeper rate with the Olympus OM-D E-M5 and Olympus 75-300 (EFL 150-600) zoom is one fourth that. But it’s good enough to get some great action shots.

The trick I’ve learned is to manual focus on the area where you think the birds will be. Then use a smaller aperture, around f/8 to f/11 to give you greater depth of field. On the Olympus, when you turn the manual focus ring, the EVF automatically gives you a magnafied view of the scene, which makes critical manual focus easier. Then I simply wait for the eagles to fly through the pre-focused area and the attached photos prove it works. Give it a try if you’re using these cameras. It’s a tactic we used back in the day, before good/fast autofocus back in the film days and it’s still valid today.

One of my favorite shots of this trip so far appears above. This one happens to have been made with a Canon 1DX and 300mm F/4 but it was less about the camera and more about luck. We found a group of immature eagles. They are actually very beautiful and this one was very active. I caught him just before he grabbed for a fish and the result was it looks like he’s dancing on the water. I have lots of eagle pictures so it takes a great shot to get me excited, but I think this one qualifies.

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons

Photo by Scott Bourne – Attribution-NonCommercial-NoDerivs Creative Commons – Olympus OMD

We’re heading out on a foggy morning with the possibility of snow today. I’ll let you know how we feel. Thanks for following along on my eagle adventure. I appreciate all the positive comments I’m receiving on the eagle diary.

______

This Post Sponsored by:

lynda.com Learn photography anytime, anywhere, and at your own pace—from bite-sized tutorials to comprehensive courses. Try lynda.com free for 10 days by visiting lynda.com/​Photofocus.

Skip Cohen University Professional photo education for wedding & portrait photographers.

ThingLink offers an interactive, online photo experience like nothing you’ve seen before. Join for free.

Drobo – Not only is Drobo 5D fast, but it’s easy-to-use, expandable, flexible, and protected.

Copyright Scott Bourne 2011 - All Rights Reserved

BONUS: Here is a video I made of some of the images of eagles. Enjoy.

Here are all of the posts related to my recent Alaska photography trip, combined into one. Don’t worry – if you’re sick of eagle posts, I promise, this will be the last one for a while.

Alaska Eagle Trip Diary Part 1

Copyright Scott Bourne 2008 - All Rights Reserved

I’m in Alaska again – this time to photograph bald eagles. As I did last time, I’ll keep a running diary of sorts that I will publish to the Photofocus site as I am able. I will have very limited Internet access on part of this trip but will try to get access via satellite phone and will take the sea plane back to civilization once in a while to check in. The first half of the trip I should be able to get online somewhat regularly.

I’m shooting both video and stills on this trip. I’ll primarily be relying on the Nikon D3s for stills and a Canon 1D MK IV for video. But I am also using – that’s right – a Nikon D7000 for video. This camera is one of my favorite DSLR hybrids because it works very well and is downright affordable compared to some of the alternatives.

In addition to the hybrid DSLRs, I’ll be using the Canon XF100 video camera. It’s brand new and arrived just in time for the trip.

I’ll be working some other cameras too and will fill you in as time allows. I do plan to use my iPhone 4 as well. I’m using the OWLE Bubo as an iPhone camera/video stabilizer.

I’m also testing some cool gear from Cinevate including their Pegasus Carbon DSLR Camera Slider with carbon all terrain kit. It’s a very strong and very light weight slider.

I’m carrying my gear in a variety of bags. My assistant packed up a sturdy Tenba bag filled with stands and supports including my 1030HD fluid head and sticks from Oconnor. I’ll also have an Induro ballhead, carbon fiber tripod and gimbal head. I’m using the new Porter Case to carry my main cameras on board the airplane. I’m also using a Tenba brief case to carry my laptop and backup drives. Borrowlenses.com is shipping my backup gear to Alaska for me so I have to manage less stuff on my own.

The weather will range from 10-15 degrees for a low to 30 degrees for a high during my stay so I’m packing lots of warm weather clothing and lots of layers.

It should be a fun and interesting trip. Regarding Alaska’s weather this time of year, I’ll leave you with this:

“It was one of those March days when the sun shines hot and the wind blows cold: when it is summer in the light, and winter in the shade.” ~Charles Dickens

Now, I am off to find some eagles.
Continue Reading

A Bald Eagle turns in mid-air to dive for fish in Alaska - Copyright Scott Bourne 2001 - All Rights Reserved

See Part I of my Alaska Eagle Trip Diary here:

See Part II of my Alaska Eagle Trip Diary here:

See Part III of my Alaska Eagle Trip Diary here:

It’s funny how my standards have changed over the years. When I was a kid, if I made a picture of an eagle a mile away, and there was a little black dot in the center of the image that was in fact the eagle, I was excited.

When I first got serious about bird photography, my first few eagle shots where the bird was actually recognizable as an eagle were thrilling.

After I honed my skills, I expected not only a bird I could recognize, but one captured in nice light.

And so it goes.

Now, I have thousands upon thousands of eagle shots in my portfolio and I have new standards. Here are some of the things I look for when making a photograph of eagles: This could apply to almost any bird or even many different subjects, but it’s my thought process and I decided to share it in case someone reading is interested.

1. Find eagles. That’s not hard in Alaska but may be in Brooklyn. You have to research to find the best place and the best time to be there.

2. Find eagles in great light. If the light sucks, then as excited as I may be by the presence of eagles, I keep my camera in the bag. I only want shots in good to great light.

3. Find eagles in great light in front of great backgrounds. I prefer to shoot eagles against the water, then the sky and then the snow-capped mountains. If they are photographed against anything else, it’s too easy for them to merge with the background.

4. Find GOOD specimens of eagles in great light in front of great backgrounds. It’s not enough to find an eagle. I want to find an eagle who’s relatively clean, has all his feathers, an intact and attractive beak, etc. Since I sell these images, it helps to find good-looking birds to shoot.

5. Find GOOD specimens of eagles in great light in front of great backgrounds and then get good angles. Small things like head angle, wing position, etc., make a big difference in bird photography. If you have a bird flying even one degree away from you, the shot isn’t salable. If the eagle’s wings are flat, or what we call pancake position, then it’s not as desirable as wings up or down. There are lots of small details that have to be right to get a salable eagle photo. Most people wouldn’t believe how picky the photo editors are when it comes to this stuff.

6. Find GOOD specimens of eagles in great light in front of great backgrounds and then get good angles while the eagles are doing something interesting. Small things like head angle, wing position, etc., in the midst of doing something interesting matters. While I can and do sell simple eagle portraits, pictures of the birds displaying their natural behavior are typically more attractive. Fishing, eating, fighting, soaring, etc., these are all behaviors that make for a good eagle photo.

I’ll stop here because I think you get the point. It’s not good enough to simply get a picture of an eagle. You have to get the RIGHT picture of an eagle. It’s hard work but fun too. More from Alaska soon.

_________
This Post Sponsored by Animoto – Animoto Supercharges My Photos.

Eagles Fighting Over Food - Copyright Scott Bourne 2011 - All Rights Reserved

Eagles Fighting Over Food - Copyright Scott Bourne 2011 - All Rights Reserved

See Part I of my Alaska Eagle Trip Diary here:

See Part II of my Alaska Eagle Trip Diary here:

The first full day of shooting eagles in Alaska produced some great photography opportunities for me. I’m working off the amazing Kenai Peninsula in southern Alaska. This has to be one of the most photographically rich and diverse places in North America.

We had great weather today. Mind you it wasn’t great BEACH weather, but for a photographer it was great. We had everything from snow to overcast skies, high thin clouds and finally sun.

Since we spent almost the entire first day working from boats, it was nice that the ocean was smooth, more so in the morning than afternoon. Thankfully I don’t get sea sick so it’s no big deal either way.

My primary job here is to shoot video and stills of Bald Eagles. (Haliaeetus leucocephalus.) Thankfully it’s pretty easy to do in this location. Alaska boasts the world’s largest concentration of Bald Eagles. With a wing-span of up to seven feet and the ability to see for more than a mile, this bird of prey has found it’s ideal home in the 586,400 miles that make up Alaska.

Now that’s a land mass about 1400 miles long by 2700 miles wide. So where do you look? That’s where research comes in. With the help of an ornithologist and some decent ornithology skills of my own, I’ve narrowed down some of the great places to photograph eagles. Of course time of year is important too. Unless you know when to come, where to go is only half the battle.

Copyright Robert O'Toole

We have received all the necessary permits to go to the Seldovia Village Tribe reservation and other locations near Homer, Alaska. Some of these I have to keep secret for fear that the spots would be overrun, but the general area is the Kenai Peninsula overlooking the Kenai Mountains.

Why eagles? As an American, the Bald Eagle is the national bird and a natural draw for me. But even non-Americans are drawn to the power of this bird. I’m here to speak for the eagles and it will be an honor to tell their stories. That’s about as simply as I can put it.

Henry David Thoreau wrote, “In wildness is the preservation of the world. Let us cherish and protect those wild places and the creatures that inhabit them.”

Eagles have come back from near extinction, but they are not out of the woods yet. The goal of this trip is to memorialize the eagle and it’s impact on Alaska and the nation. I hope my images and efforts do them justice.

______
Sponsored by CLIQ Photo Community

Copyright Scott Bourne 2008 - All Rights Reserved

I’m in Alaska again – this time to photograph bald eagles. As I did last time, I’ll keep a running diary of sorts that I will publish to the Photofocus site as I am able. I will have very limited Internet access on part of this trip but will try to get access via satellite phone and will take the sea plane back to civilization once in a while to check in. The first half of the trip I should be able to get online somewhat regularly.

I’m shooting both video and stills on this trip. I’ll primarily be relying on the Nikon D3s for stills and a Canon 1D MK IV for video. But I am also using – that’s right – a Nikon D7000 for video. This camera is one of my favorite DSLR hybrids because it works very well and is downright affordable compared to some of the alternatives.

In addition to the hybrid DSLRs, I’ll be using the Canon XF100 video camera. It’s brand new and arrived just in time for the trip.

I’ll be working some other cameras too and will fill you in as time allows. I do plan to use my iPhone 4 as well. I’m using the OWLE Bubo as an iPhone camera/video stabilizer.

I’m also testing some cool gear from Cinevate including their Pegasus Carbon DSLR Camera Slider with carbon all terrain kit. It’s a very strong and very light weight slider.

I’m carrying my gear in a variety of bags. My assistant packed up a sturdy Tenba bag filled with stands and supports including my 1030HD fluid head and sticks from Oconnor. I’ll also have an Induro ballhead, carbon fiber tripod and gimbal head. I’m using the new Porter Case to carry my main cameras on board the airplane. I’m also using a Tenba brief case to carry my laptop and backup drives. Borrowlenses.com is shipping my backup gear to Alaska for me so I have to manage less stuff on my own.

The weather will range from 10-15 degrees for a low to 30 degrees for a high during my stay so I’m packing lots of warm weather clothing and lots of layers.

It should be a fun and interesting trip. Regarding Alaska’s weather this time of year, I’ll leave you with this:

“It was one of those March days when the sun shines hot and the wind blows cold: when it is summer in the light, and winter in the shade.” ~Charles Dickens

Now, I am off to find some eagles.

_________
This Post Sponsored by Animoto – Animoto Supercharges My Photos.