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Guest Post by Rich Harrington - Follow Rich on Twitter

Rich Harrington shows you how to manage your workspace in Photoshop CS6

This video comes from the book and DVD - Understanding Adobe Photoshop CS6: The Essential Techniques for Imaging Professionals

DISCLAIMERThis post isn’t intended to be definitive – we’re not claiming this is the ONLY way or even the BEST way to accomplish this task in Photoshop, Aperture, iPhoto or any other post-prodcessing program. We’re merely offering it as A way you might accomplish this task. These tips are free, offered only because they might be helpful to someone.

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Guest Post by Rich Harrington - Follow Rich on Twitter

Rich Harrington shows you how to set your preferences in Photoshop CS6

This video comes from the book and DVD - Understanding Adobe Photoshop CS6: The Essential Techniques for Imaging Professionals

DISCLAIMERThis post isn’t intended to be definitive – we’re not claiming this is the ONLY way or even the BEST way to accomplish this task in Photoshop, Aperture, iPhoto or any other post-prodcessing program. We’re merely offering it as A way you might accomplish this task. These tips are free, offered only because they might be helpful to someone.

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Okay – in short – I’ve had it with Apple. Ever since Steve passed, the company has seemed to be off course – not financially – but in regards to vision. Even before Steve passed, we saw the Final Cut Pro debacle – turning one of the most successful professional video editing applications into a glorified version of iMovie. While I am often mindlessly called an Apple fanboy, I have routinely called the company to task when I think they have made a mistake. And this is going to be one of those times.

Looking at what’s happened to the Apple Pro Apps division – one has to ponder – Is Aperture next? That’s the problem. I don’t know. And nobody at Apple will talk about it. For years I’ve defended Aperture and Apple for making such a great project. I think that was the right decision – then.

But as Apple has grown even more reclusive in its willingness to share its plans or talk to the media, they have forgotten that the people who aren’t getting the information are ultimately their customers.

I assumed we’d hear something about Aperture 4.0 by now. I was really confident in fact that there would be an Aperture 4.0 by now. I wrote an article not long back linking the timeline to releases and thought surely we’d have an answer by now. After all, Lightroom 4 is shipping and in every way it needed to, Adobe caught Aperture and in some cases passed it. But from Apple – not a peep.

I’ve used Aperture for more than five years for the simple reason that I thought it was the better product. As of the Lightroom 4.0 release, I no longer believe that’s accurate. I won’t go into too many details but I’ll mention just a few places where I think Lightroom has surpassed Aperture.

Let’s start with the raw converter. For years I’ve said that Aperture and Adobe’s RAW converters are both good – but different. I can no longer say that they are on par. With Lightroom 4.0, Adobe has released a raw converter that does a much better job converting files with low noise and accurate color than does the current converter from Aperture.. This is huge and it applies even more so to the new hot cameras like the Canon 5D MK III and the Nikon D4. Adobe has figured this out and Apple is silent. For the first time in five years I like the conversions better in Lightroom. That’s reason enough to switch. But other improvements in the highlight and shadow recovery, extended video support, the amazing (and I do mean AMAZING) clarity slider, improved develop module and much faster, speedier processing, Lightroom 4 has left Aperture 3 in the dust. Period. (NOTE: the aforementioned list was only a smattering of the improvements in LR4. For more information go to Adobe.com.)

Now if I knew Aperture 4.0 was around the corner and that Apple answered each of these new improvements with improvements of their own, I’d reconsider. But at this point I don’t know that and have no reason to expect it.

So if I can get my arms around the fact that I need to move almost 480,000 images and that I need to be able to master a new workflow involving referenced rather than managed files, I’m going to switch and if I do – I’m not going back – no matter what Apple does. Even if they do catch up because it will only be a matter of time before it’s deja vu all over again.

There have been a host of new bugs in Aperture (either introduced by OS or converter updates) that Apple has only recently addressed. They won’t communicate with their users and there’s no loyalty there. It takes loyalty to get loyalty so unless something happens in the next few days to change my mind, you can expect to hear me talking about a permanent change to Adobe Lightroom 4. I flirted with this once before when Aperture 3.0 launched because it was so buggy. But this time if I switch, I’m not coming back.

You might not know my history, but if I do switch it’s a pretty big deal. My history with Aperture is as almost as deep as you can get. I taught (alongside Derrick Story) the first live Aperture class taught anywhere at Macworld the year the product debuted. I also taught it there the following two years. I have been the technical editor on almost every Aperture book ever written (I worked on nine of them.) I was in the first Apple Train The Trainer (T3) class and was one of the first Apple-Certified T3 trainers. I’ve taught thousands of people how to use Aperture in seminars and workshops. I’ve also recorded training titles for  lynda.com (total three video training series) and I founded the first Aperture blog and podcast (Aperture Tricks) later sold to a third party. If Apple can’t hang on to someone like me, what does that say about their prospects for hanging on to the rest of the market?

You’ve been put on notice Apple. Put up or shut up. Lightroom 4.0, here I come.

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Adobe has announced Creative Cloud. They describe it as: “A hub for making, sharing and delivering creative work and it is centered around a powerful release of Adobe Creative Suite® 6 software packed with innovation across design, Web, video and digital imaging tools.”

It will cost just under $600 a year on a subscription basis (paid monthly but sold as a year commitment) and will offer full access to just about everything Adobe has for sale.

You’ll get CS6 and two new HTML5 products (Adobe Muse and Adobe Edge.) You’ll also get their tablet program Photoshop Touch which allows you to move everything to the cloud.

Members have immediate access to Adobe Typekit, the Web-based font library that pioneered the use of real fonts on websites, delivering more than 700 typefaces from leading foundries.

One bit of exciting news is that Adobe will include tools that make it very easy for the non-programmer to create mobile apps for both iOS and Android.

All application upgrades are included during the subscription period and subscribers to the Creative Cloud will get upgrades before the people who own standalone products. Cloud members will also get first access to new products.

Adobe Creative Cloud membership is US$49.99 per month, with an annual contract. A special introductory offer of US$29.99 per month for CS3, CS4, CS5 and CS5.5 individual customers is also available.

The replay of the launch event for Adobe Creative Cloud and CS6  will be available at http://tv.adobe.com beginning today.

If you just want standard, standalone products they are still going to be available from Adobe.t More information on product pricing is available at www.adobe.com/products/creativesuite.html.

It seems that Adobe is trying to add more value to the price package and to offer some services that compete with Apple’s iCloud. It appears to be a well thought-out effort and worthy of consideration. To have access to everything Adobe makes at this price is exciting to me. Casual photographers might not need this extensive a solution and may wish to stick with Lightroom 4, Aperture, iPhoto or Elements.

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Guest Post by Rich Harrington - Follow Rich on Twitter

Rich offers a tutorial on creating custom vignettes in ACR

DISCLAIMER: This post isn’t intended to be definitive – we’re not claiming this is the ONLY way or even the BEST way to accomplish this task in Photoshop, Aperture, iPhoto or any other post-prodcessing program. We’re merely offering it as A way you might accomplish this task. These tips are free, offered only because they might be helpful to someone.

_______
This Post Sponsored by:
Viewbug - Fun Photo Contests
Kelby Training - Use code KTSBA12 to save $20
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Digital SLR Store - Cameras, lenses, accessories and everything else.

Guest Post by Rich Harrington - Follow Rich on Twitter

Rich Harrington shows you how to use ACR’s Fill/Recovery Command to fix a poorly exposed photo.

DISCLAIMERThis post isn’t intended to be definitive – we’re not claiming this is the ONLY way or even the BEST way to accomplish this task in Photoshop, Aperture, iPhoto or any other post-prodcessing program. We’re merely offering it as A way you might accomplish this task. These tips are free, offered only because they might be helpful to someone.

_______
This Post Sponsored by:
Viewbug - Fun Photo Contests /
Animoto - Great animated slide shows from your photos /
BorrowLenses.com - Renting Canon, Nikon, Olympus & Sony, bodies, lenses, etc. / SmugMug - Professional Photo Sharing /
Digital SLR Store - Cameras, lenses, accessories and everything else.

NOTE: Guest Post by Laura ShoeFollow Laura on Facebook

Keywords let you assign terms that you can use to recall them later via search in Lightroom. For an ocean photo of mine, examples might be Oregon, Seaside, coast, seascape, sunset. Keywording your photos will make finding them so much easier and faster, so don’t skip it!

Lightroom has at least five different ways to keyword. I’ll discuss the most commonly used three. Experiment with these to find the way or ways that work best for you.

* Type Keywords in the Keywording Panel

The Keywording panel is on the right in the Library module. Select one or more photos in the grid, then type in the large or small box, separating keywords with commas. Hit Enter/Return to finish. (Note, you must be in Grid view to apply keywords to a group of photos!)

* Use the Painter Tool to Spray on Keywords

Click on the spray can in the toolbar at the bottom of the grid. If you don’t see your toolbar (shown below), type T to reveal it. If you see your toolbar but not the spray can, click on the downward pointing triangle at the right edge of the toolbar and choose Painter.

Next to where you clicked on the spray can, choose Paint: Keywords, and in the box to the right of this, type in the keyword or keywords you want to apply. Hit Enter/Return.

Finally, click on each photo thumbnail you want to apply the keyword(s) to. To remove the keyword(s) you applied, hold down the Alt/Option key as you click again to erase.

Why the paint can symbol? It’s a fun reference to graffiti tagging!

* Use the Keyword List Panel

This panel is below the Keywording panel. It shows you all keywords you have ever applied to any photo in your catalog. To apply a keyword already in the list to one or more selected photos, click on the little box to the left of the keyword to put a checkmark in the box. To remove a keyword from selected photos, click on the checkmark to remove it.

To add a new keyword, click on the plus to the left of the Keyword List panel name, and enter it as the Keyword Tag. Generally you can keep the options set to the defaults. If you don’t have a photo in the grid selected, the keyword will just show up in your list for future use. If you do have a photo selected, the dialog will have a checkbox to add the keyword to the selected photos.

Of course the next step is learning how to search for your photos based on keywords. I will discuss this in my next post.

The other two ways to keyword are to use the Keyword Sets and Keyword Suggestions portions of the Keywording panel — these will be covered in a future post as well.

Laura Shoe is author of the Digital Daily Dose Lightroom (and Occasionally Photoshop) blog.

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