mark-morrow-photofocus-spot-removal-feature

As real estate photographers and agents know all too well, nothing says home sweet home like a bunch of utility lines and cables attached to the side of a house. In this short video, we’ll do a little addition by subtraction and minimize these and other distractions by way of the Spot Removal Tool in […]

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composition-corner

When photographing an image with some type of line, path, or object that will go out of my frame, my very first instinct is to find a way to push it towards one of the corners. This also works well for items that are coming into the frame, too. Compositionally speaking, this type of framing is […]

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lr-painter-feature

One of my favorite features in Lightroom also seems to be one that is typically under-appreciated. Have you ever noticed that little paint-can icon in the toolbar below your photos in the Library module? This feature, in my opinion, is one of the single most powerful tools in Lightroom, especially if you are an organization freak […]

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durationtl

How long should your time lapse be? Explore some key considerations to keep in mind, such as what your subject is doing and how fast it’s moving, in this tutorial. Watch more at http://www.lynda.com/Photography-Came…. You can catch Keith Kiska along with Rich Harrington and Ron Risman for a workshop on Timelapse photography in the Valley of Fire […]

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Featured-Image-Template

Alright, I love abso-freaking-lutely everything in this video. I’ll possibly even go as far as to say that I love Tamara Lackey–really though, she’s pretty rad. In this 2.5 minute video by Nikon, she goes over things that I absolutely love about being a portrait photographer as well as a couple tips to really capture the […]

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RAW Retouching FI

Retouching a RAW capture as much as possible before finishing the photograph in Photoshop is a best practice. RAW files contain all of the data that the camera was able to record of a scene, without a gamma curve imposed. In other words the RAW photo is pure, unaltered image info along with a color […]

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