Exposure can be really confusing. It’s particularly so with modern digital cameras. Why? The type of light meters built into cameras is a big reason. Those meters are reflective meters. They measure the amount of light bouncing off of a subject. A reflective meter’s exposure makes what ever it sees 12.5% gray. Always.
Here’s an easy experiment that shows how they work. Take a white card and a black card outside on a sunny day. Put your camera on P (for Professional–er, no, that’s actually Program mode.) Set the camera on the spot metering. Put the white balance on Daylight or Sunny. Fill the viewfinder with the white card then take a picture. Put the black card over the white card, again fill the frame with the black card and make the photo. You have a photo of a white card and a black card right? Well… check your camera’s monitor.
What do you see? That’s right–two almost identical gray cards. What’s happening here? Well, the reflective meter returns exposure settings to make what ever you aim it at turn out 12.5% gray.
When shooting someone in a white shirt (or a bridal gown) this is a problem. Huge. The photo will be underexposed by more than two stops. Not a good thing.
Here’s an example. The red circle (in the figure below) is the spot reading point. The model’s blouse is gray as predicted. For the image on the right, I added 2 and 2/3rds f/stops of light to get that blouse white with detail. Everything looks much better with the right amount of light.
Where does that “right amount of light” become the “right amount?” Guess work. Nope. It’s really quite simple. Sort of.
Start with the reflective meter. It gives an exposure that makes what ever it sees 12.5% gray. The “correct” exposure wants to be a little less than 100% reflectance. 100% is white after all. The chart below shows difference between what the meter says and what the exposure wants to be. Shifting the 12.5% reading to almost white now makes sense. Add one stop of light. The reflectance becomes 25% because a one stop add is twice as much light. That doubles the reflectance. Add one more stop of light. The reflectance is now 50% since the amount of light has doubled again. The blouse has to have detail so another full stop is too much. Two thirds of a stop more is just right pushing the reflectance to a little more than 80%. Perfect.
A reflected reading overexposes the black card. It’s reflectance wants to be somewhere between 1.5% and 3% or two to three stops less exposure than the reflective reading. Here’s how reflective readings render a subject when reading a black card, a gray (12.5%) card and a white card. The results are, from left, underexposed, correctly exposed and overexposed. Notice that the areas in the red circle that were read with the spot meter are all 12.5% gray.
The reflectance chart can help unravel exposure issues. It helps interpret what the meter sees to what you actually want the photograph to be. It’s a good guide although not completely accurate.
There is another way. Next time let’s talk about incident light meters.
This Post Sponsored by:
Viewbug Stick With Viewbug & Photofocus throughout 2014 – because we’re announcing the biggest contest in Photofocus history — coming soon!
Adobe Photoshop CC and Lightroom for US$9.99/mo. Limited-time offer for Photoshop CS3 and later customers. Get it here. Be sure to also check out the Video for Photographers learning center to get new ideas on how to work with Adobe software.
Mosaic A complete solution for photographers using Lightroom who want to manage and share their photos. You can easily view images with their iOS app or web service. Plus your photos are backed up to the cloud with several plans to match your needs.
The Topaz Labs Image Enhancement bundle. Open up a world of creative possibilities with a seamless, integrated workflow. You don’t need to be a Photoshop wizard to look like one. Click here and use the code photofocus to get a 15% discount.